{"id":129,"date":"2014-08-01T11:09:41","date_gmt":"2014-08-01T16:09:41","guid":{"rendered":"https:\/\/21stcenturyartivism.sites.carleton.edu\/?page_id=129"},"modified":"2023-03-15T18:05:34","modified_gmt":"2023-03-15T18:05:34","slug":"barriga-other-work","status":"publish","type":"page","link":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/barriga-other-work\/","title":{"rendered":"Cecilia Barriga &#8211; Original Works\/Collaborations"},"content":{"rendered":"<h3 style=\"text-align: center;\">Largometraje &#8211; Feature Film<\/h3>\n<h5 style=\"text-align: center;\">\u00ab<a href=\"https:\/\/vimeo.com\/ondemand\/simathreemomentsashout\/133610587\">Tres instantes un grito<\/a>\u00bb\u00a0\/\u00a0<em>Three Moments, A Shout<\/em>, Spain\/USA\/Chile, 2013, 96&#8242;<\/h5>\n<div id=\"wrap\" class=\"outer_wrap\">\n<div id=\"topnav_outer_wrap\" class=\"topnav_sticky\">\n<div><\/div>\n<\/div>\n<\/div>\n<div class=\"primary-wrap\">\n<div class=\"grid-row\">\n<div>\n<div class=\"grid-row\">\n<div><a href=\"https:\/\/vimeo.com\/ondemand\/simathreemomentsashout\/133610587\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"https:\/\/i.vimeocdn.com\/vod_poster\/56902_310x459.jpg\" alt=\"\" width=\"550\" height=\"814\" \/><\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div>\n<section class=\"comment-creator-wrap\">\n<div class=\"grid-row\">\n<div><\/div>\n<\/div>\n<\/section>\n<\/div>\n<p style=\"text-align: center;\">A documentary born out of the fascination for the spontaneous global movements of angry citizens. A journey through three cities where a new spirit of social protest has seized the popular imagination and reawakened the demand for a more just society: In Madrid, the indignados, in New York, the 99%, and in Santiago de Chile, the students that have staked a claim for human dignity. The diversity of these protesters expresses the breadth of a common desire for justice and the will to pursue it. (<a href=\"http:\/\/www.nyu.edu\/about\/news-publications\/news\/2015\/09\/17\/the-limit-of-our-gaze-women-filmmakers-and-contemporary-documentary-in-spain-oct-2-3.html\" target=\"_blank\" rel=\"noopener noreferrer\">Source<\/a>)<\/p>\n<h5 style=\"text-align: center;\">Im Fluss \/ <em>Downstream<\/em>, Switzerland, 2007, 5&#8242;<\/h5>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/viAWAAN5Q-M\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: center;\">For decades, two 70-year-old Swiss ladies have been walking along each other. In the summertime, their daily ritual is to swim down the river that flows through their hometown while they ponder the unthinkable. (<a href=\"http:\/\/www.nyu.edu\/about\/news-publications\/news\/2015\/09\/17\/the-limit-of-our-gaze-women-filmmakers-and-contemporary-documentary-in-spain-oct-2-3.html\" target=\"_blank\" rel=\"noopener noreferrer\">Source<\/a>)<\/p>\n<h5 style=\"text-align: center;\"><a href=\"http:\/\/www.rtve.es\/alacarta\/videos\/documentos-tv\/docutv-camino-moises\/896649\/\" target=\"_blank\" rel=\"noopener noreferrer\">El camino de Mois\u00e9s<\/a>, 2004, 55&#8242;<\/h5>\n<h5 style=\"text-align: center;\">La herida de mi ojo, 1994<\/h5>\n<h5 style=\"text-align: center;\">Cada dia en cada uno<\/h5>\n<h5 style=\"text-align: center;\">5000 feminismos, 2010, 7&#8242;<\/h5>\n<h5 style=\"text-align: center;\">El d\u00eda del euro, Switzerland, 2009, 5&#8242;<\/h5>\n<h5 style=\"text-align: center;\">Ojo eje, Switzerland, 2009, 4&#8242;<\/h5>\n<h5 style=\"text-align: center;\">El esqueleto tatuado, 2010<\/h5>\n<h5 style=\"text-align: center;\">Granada, 30 a\u00f1os despu\u00e9s, 2010<\/h5>\n<h5 style=\"text-align: center;\">Casa de red, 2011<\/h5>\n<h5 style=\"text-align: center;\">El origen de la violencia, 2005, 1&#8242;<\/h5>\n<h5 style=\"text-align: center;\">San Isidro, Spain, 1986, 20&#8242;<\/h5>\n<h5 style=\"text-align: center;\">Ni locas, ni terroristas, Spain, 2004, 50&#8242;<\/h5>\n<h5 style=\"text-align: center;\">Atrapados en el para\u00edso<\/h5>\n<h5 style=\"text-align: center;\"><a href=\"http:\/\/www.nytimes.com\/movies\/movie\/248943\/Time-s-Up\/trailers\" target=\"_blank\" rel=\"noopener noreferrer\">Time&#8217;s Up!<\/a>, Chile, 2000, 97&#8242;<\/h5>\n<h5 style=\"text-align: center;\">Encuentro entre dos reinas, Spain, 1991, 14&#8242;<\/h5>\n<h5 style=\"text-align: center;\">Lo que ellas ven, 2006<\/h5>\n<h5 style=\"text-align: center;\">11 segundos, 2005<\/h5>\n<h5 style=\"text-align: center;\">El pasajero triste, 2005<\/h5>\n<h5 style=\"text-align: center;\">P.O.V (Camera Operator)<\/h5>\n<h5 style=\"text-align: center;\">Common Ground (Camera\/Electrical Department)<\/h5>\n<h5 style=\"text-align: center;\">El cianuro&#8230; \u00bfsolo o con leche? (Assistant Director)<\/h5>\n<h5 style=\"text-align: center;\">Zero Degree (Sound)<\/h5>\n<h3 style=\"text-align: center;\">Ensayo &#8211; Essay<\/h3>\n<h5 style=\"text-align: center;\"><a href=\"http:\/\/www.old.arteleku.net\/arteleku\/publicaciones\/editorial\/zehar\/54-la-repolitizacion-del-espacio-sexual\/lo-que-queda-de-mi.-cecilia-barriga\/?searchterm=lo%20que%20queda%20de%20mi\" target=\"_blank\" rel=\"noopener noreferrer\">Lo que queda de m\u00ed<\/a><\/h5>\n<p style=\"text-align: right;\"><a href=\"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/audiovisual-creation\/cecilia-barriga\/\">\u2b05\ufe0e Back to Cecilia Barriga&#8217;s\u00a0Biography<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Largometraje &#8211; Feature Film \u00abTres instantes un grito\u00bb\u00a0\/\u00a0Three Moments, A Shout, Spain\/USA\/Chile, 2013, 96&#8242; A documentary born out of the fascination for the spontaneous global movements of angry citizens. A journey through three cities where a new spirit of social protest has seized the popular imagination and reawakened the demand for a more just society: [&hellip;]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"site-container-style":"default","site-container-layout":"default","site-sidebar-layout":"default","disable-article-header":"default","disable-site-header":"default","disable-site-footer":"default","disable-content-area-spacing":"default"},"acf":[],"_links":{"self":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/pages\/129"}],"collection":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/comments?post=129"}],"version-history":[{"count":2,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/pages\/129\/revisions"}],"predecessor-version":[{"id":8699,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/pages\/129\/revisions\/8699"}],"wp:attachment":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/media?parent=129"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}