{"id":148,"date":"2014-08-01T11:32:08","date_gmt":"2014-08-01T16:32:08","guid":{"rendered":"https:\/\/21stcenturyartivism.sites.carleton.edu\/?page_id=148"},"modified":"2023-03-15T18:05:36","modified_gmt":"2023-03-15T18:05:36","slug":"siminiani-other-work","status":"publish","type":"page","link":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/siminiani-other-work\/","title":{"rendered":"Le\u00f3n Siminiani – Original Works"},"content":{"rendered":"

Largometraje – Feature Film<\/h3>\n

\u00abMapa\u00bb \/ Map<\/em>, Spain\/India, 2012, 85′ TRAILER<\/a><\/h5>\n

\u00abMapa\u00bb, una pel\u00edcula-canci\u00f3n como la describi\u00f3 el propio Siminiani, es un film-diario, en el cual se exploran las reglas ling\u00fc\u00edsticas del cine a trav\u00e9s del empleo de material autobiogr\u00e1fico, (re)definiendo nuevos territorios conceptuales en el cine de no ficci\u00f3n. (Source<\/a>)<\/p>\n

\u00a0Mapa<\/em>, a\u00a0film-song as described by Siminiani, is a diary film that explores cinema’s linguistic rules and regulations through the use of autobiography, (re)defining the\u00a0new conceptual territories in non-fiction film.<\/p>\n

\u00abBasilio Mart\u00edn Patino. La d\u00e9cima carta\u00bb \/ Basilio Mart\u00edn Patino. The Tenth Letter<\/em>, Spain, 2014, 65′ (Screenwriter)<\/h5>\n

Basilio Mart\u00edn Patino mand\u00f3 en 1966 nueve cartas a Berta. Casi cincuenta a\u00f1os despu\u00e9s, Virginia Garc\u00eda del Pino intenta escribir la d\u00e9cima. Una carta compartida entre ella y Basilio Mart\u00edn Patino, el retrato de una identidad en fuga que indaga, bajo el precepto enunciado por el propio Patino, \u201colvidarse de toda preceptiva sobre lo que se deba hacer\u201d, qu\u00e9 queda de aquel estudiante rebelde que escrib\u00eda a Berta en 1966, el inicio de una brillante trayectoria como cineasta. (Source<\/a>)<\/p>\n

In 1966, Basilio Mart\u00edn Patino sent nine letters to Bertha.\u00a0Almost fifty years later, Virginia Garc\u00eda del Pino\u00a0tries to write the tenth one, following Patino\u2019s rule: \u201cto\u00a0forget any precept over what must be done\u201d. This film\u00a0is a letter shared between herself and Basilio Mart\u00edn\u00a0Patino after his brilliant career as a filmmaker, a portrait\u00a0that delves into a receding identity, into what is\u00a0left of the once rebellious student who wrote to Bertha\u00a0in 1966. (Source<\/a>)<\/p>\n

\u00abCartas a Mar\u00eda\u00bb\/ Letters to Mar\u00eda<\/em>, Spain\/France, 2014, 85′ (Screenwriter) Dir.\u00a0Maite Garc\u00eda Ribot\u00a0TRAILER<\/a><\/h5>\n

A ra\u00edz de la enfermedad de Alzheimer de su padre, Maite emprende un viaje para desvelar y reconstruir, a veces desde la imaginaci\u00f3n, la historia de su abuelo. Pedro fue un exiliado republicano que, para sobrevivir, trabaj\u00f3 para el gobierno franc\u00e9s y el ej\u00e9rcito nazi. Pero su lucha por regresar junto a su familia en Espa\u00f1a se vio truncada por los americanos. A trav\u00e9s de la palabra, del recuerdo, del silencio, de las im\u00e1genes y los objetos, Maite hilar\u00e1 esta singular historia para acercarse a su padre, en un intento de robarle el tiempo al olvido. (Source<\/a>)<\/p>\n

As a result of her father\u2019s Alzheimer\u2019s disease, Maite decides to recover the unknown and silenced story of her grandfather Pedro. In 1939, the Republican Pedro had to go into exile in France, leaving behind his wife Mar\u00eda and their two sons. In order to survive the harsh living conditions in the refugee camps in the South of France he had to work for the French government and even for the Nazi army. Through 46 letters that Pedro wrote to Mar\u00eda from exile, Maite will discover and imagine this unique and epic family story \u2026 (Source<\/a>)<\/p>\n

\u00abApuntes para una pel\u00edcula de atracos\u00bb, Spain, 2015<\/h5>\n

Cortometraje – Short<\/h3>\n

\u00abLos or\u00edgenes del marketing\u00bb<\/a>, 2010, 6′<\/h5>\n
\u00abConceptos clave del mundo moderno\u00bb \/ Key Concepts of the Modern Worl<\/em>d\u00a0(Series of Micro essay films – 4 to date)<\/h5>\n

The series has won more than 100 national and international awards including the award for Best Short Film at the Malaga Film Festival 2010 and the First\u00a0Award in Alcine 2009 ex aequo.<\/p>\n

1 –\u00abLa oficina\u00bb \/ The Office<\/em><\/a>, 1998, 5′<\/h5>\n