{"id":1721,"date":"2015-06-25T20:02:02","date_gmt":"2015-06-26T01:02:02","guid":{"rendered":"https:\/\/21stcenturyartivism.sites.carleton.edu\/?page_id=1721"},"modified":"2023-03-15T18:05:36","modified_gmt":"2023-03-15T18:05:36","slug":"luis-carrasco-original-works","status":"publish","type":"page","link":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/luis-carrasco-original-works\/","title":{"rendered":"Luis Carrasco &#8211; Original Works"},"content":{"rendered":"<h3 style=\"text-align: center;\">Largometraje &#8211; Feature Film<\/h3>\n<h5 style=\"text-align: center;\">\u00abCirco\u00bb \/ <em>Circus<\/em>, 2009, 73&#8242; (Co-dir.)<\/h5>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/13762651\" width=\"500\" height=\"281\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: center;\">circo. (lat. circus).<br \/>\n1. n. Edificio o recinto cubierto por una carpa, con grader\u00eda para los espectadores, que tiene en medio una o varias pistas donde act\u00faan malabaristas, payasos, equilibristas, animales amaestrados, etc.<br \/>\n2. n. Este mismo espect\u00e1culo.<br \/>\n3. n. Conjunto de artistas, animales y objetos que forman parte de este espect\u00e1culo.<br \/>\n4. n. Lugar destinado entre los antiguos romanos para algunos espect\u00e1culos, especialmente para la carrera de carros o caballos.\u00a0(<a href=\"http:\/\/loshijos.org\" target=\"_blank\" rel=\"noopener noreferrer\">Source<\/a>)<\/p>\n<p style=\"text-align: center;\">1. n. A travelling company of enterteniers such as acrobats, clowns, trapeze artistes, and trained animals.<br \/>\n2. n. A public performance given such a company.<br \/>\n3. n. An oval or circular arena, usuallytented and surrounded by tiers of seats, in which such a performances is held.<br \/>\n4. n. A travlling group of prefessional sportsmen.\u00a0(<a href=\"http:\/\/loshijos.org\" target=\"_blank\" rel=\"noopener noreferrer\">Source<\/a>)<\/p>\n<h5 style=\"text-align: center;\">\u00abLos materiales\u00bb \/\u00a0<em>The Materials<\/em>, Spain, 2009, 72&#8242;\u00a0(Co-dir.)<\/h5>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/7455232\" width=\"500\" height=\"281\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: center;\">material. (Del lat. materi\u0101lis).<br \/>\n1. adj. Perteneciente o relativo a la materia.<br \/>\n2. adj. Opuesto a lo espiritual.<br \/>\n3. adj. Opuesto a la forma. Esta alhaja es de poco valor material.<br \/>\n4. adj. Grosero, sin ingenio ni agudeza.\u00a0(<a href=\"http:\/\/loshijos.org\" target=\"_blank\" rel=\"noopener noreferrer\">Source<\/a>)<\/p>\n<p style=\"text-align: center;\">1. adj. Having substance or capable of being treated as fact; not imaginary.<br \/>\n2. adj. Derived from or composed of matter.<br \/>\n3. adj. Having material or physical form or substance.<br \/>\n4. adj. Directly relevant to a matter especially a law case.\u00a0(<a href=\"http:\/\/loshijos.org\" target=\"_blank\" rel=\"noopener noreferrer\">Source<\/a>)<\/p>\n<h5 style=\"text-align: center;\">\u00abEvacuaci\u00f3n\u00bb \/\u00a0<em>Evacuation<\/em>,\u00a02011\u00a0(Co-dir.)<\/h5>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/23585957\" width=\"500\" height=\"281\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h5 style=\"text-align: center;\">\u00ab<a href=\"http:\/\/www.elfuturo1982.com\/index.html\" target=\"_blank\" rel=\"noopener noreferrer\">El futuro<\/a>\u00bb\u00a0\/\u00a0<em>The Future<\/em>,\u00a0Spain, 2013, 67&#8242;<\/h5>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/71567452?color=98D2E6&amp;title=0&amp;byline=0&amp;portrait=0\" width=\"500\" height=\"281\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h3 style=\"text-align: center;\">Cortometraje &#8211; Short<\/h3>\n<h5 style=\"text-align: center;\">\u00abPara ser cajera del s\u00faper siempre hay tiempo\u00bb, 2007<\/h5>\n<h5 style=\"text-align: center;\">\u00abEl sol en el sol del membrillo\u00bb \u00a0\/\u00a0<em>The Sun on the Quince of the Sun<\/em>, 2008, 13&#8242;\u00a0(Co-dir.)<\/h5>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/13765072\" width=\"500\" height=\"281\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: center;\">Un lienzo inacabado pretendidamente pintado por Antonio L\u00f3pez resiste (\u00bfresiste?) las embestidas de la naturaleza y el clima durante una semana. Una semana mostrada cuatro veces desde cuatro propuestas audiovisuales diferentes que analizan la relaci\u00f3n entre el autor cinematogr\u00e1fico y la representaci\u00f3 del paisaje. (<a href=\"http:\/\/loshijos.org\" target=\"_blank\" rel=\"noopener noreferrer\">Source<\/a>)<\/p>\n<p style=\"text-align: center;\">An unfinished canvas apparently painted by Antonio L\u00f3pez resists (does it?) the charges of weather and nature during a whole week. This week is shown four times from four different audiovisual perspectives which try to analyse the relationship between film author and landscape representation.\u00a0(<a href=\"http:\/\/loshijos.org\" target=\"_blank\" rel=\"noopener noreferrer\">Source<\/a>)<\/p>\n<h5 style=\"text-align: center;\">\u00abYa viene, aguanta, ri\u00e9gueme, m\u00e1tame\u00bb \/ <em>It&#8217;s Coming, Hold On, Spray Me, Kill Me<\/em>, 2009, 8&#8242;\u00a0(Co-dir.)<\/h5>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/7684123\" width=\"500\" height=\"281\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: center;\">Cuatro ic\u00f3nicas secuencias de la historia del cine espa\u00f1ol son estrictamente revisitadas. Una b\u00fasqueda precisa del encuadre en los mismos puntos donde fueron filmadas las pel\u00edculas originales. Sin iluminaci\u00f3n, sin edici\u00f3n de audio, sin actores. Simplemente lo que recoge la c\u00e1mara.\u00a0(<a href=\"http:\/\/loshijos.org\" target=\"_blank\" rel=\"noopener noreferrer\">Source<\/a>)<\/p>\n<p style=\"text-align: center;\">Four iconic sequences in the history of Spanish cinema are aesthetically revisited. A strictly geographical search that places the camera in the very same spots where the shots of the original films were taken. No lighting. No audio edition. No actors. Just whatever there is in front of the camera.\u00a0(<a href=\"http:\/\/loshijos.org\" target=\"_blank\" rel=\"noopener noreferrer\">Source<\/a>)<\/p>\n<h5 style=\"text-align: center;\">\u00abTarde de verano\u00bb \/\u00a0<em>Summer Afternoon\u00a0<\/em>,2010\u00a0(Co-dir.)<\/h5>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/18946220\" width=\"500\" height=\"281\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h5 style=\"text-align: center;\">\u00abEnero, 2012 (\u00f3 la\u00a0apoteosis de Isabel la Cat\u00f3lica)\u00bb \/ <em>January, 2012 (or the apotheosis of Isabel the Catholic)<\/em>, Spain, 2012, 18&#8242;\u00a0(Co-dir.)<\/h5>\n<h3 style=\"text-align: center;\">Art\u00edculos &#8211; Articles<\/h3>\n<ul>\n<li>\n<h5>Colectivo Los Hijos.<a href=\"https:\/\/addiehu.ehu.es\/bitstream\/10810\/8203\/1\/Territorios%20y%20Fronteras.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"> \u00abTres por dos.\u00bb\u00a0<i>Territorios y fronteras: experiencias documentales contempor\u00e1neas<\/i>.<\/a> Vanesa\u00a0Fern\u00e1ndez Guerra and Miren Gabantxo Uriagereka, eds.\u00a0Servicio Editorial de la Universidad del Pa\u00eds Vasco\/Euskal Herriko Unibertsitatearen Argitalpen Zerbitzua, 2012. Web. 22 \u00a0Dec. 2015.<\/h5>\n<\/li>\n<\/ul>\n<p style=\"text-align: right;\"><a href=\"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/audiovisual-creation\/luis-carrasco-2\/\">\u2b05\ufe0e Back to Lu\u00eds L\u00f3pez Carrasco&#8217;s\u00a0Biography<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Largometraje &#8211; Feature Film \u00abCirco\u00bb \/ Circus, 2009, 73&#8242; (Co-dir.) circo. (lat. circus). 1. n. Edificio o recinto cubierto por una carpa, con grader\u00eda para los espectadores, que tiene en medio una o varias pistas donde act\u00faan malabaristas, payasos, equilibristas, animales amaestrados, etc. 2. n. Este mismo espect\u00e1culo. 3. n. Conjunto de artistas, animales y [&hellip;]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"site-container-style":"default","site-container-layout":"default","site-sidebar-layout":"default","disable-article-header":"default","disable-site-header":"default","disable-site-footer":"default","disable-content-area-spacing":"default"},"acf":[],"_links":{"self":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/pages\/1721"}],"collection":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/comments?post=1721"}],"version-history":[{"count":1,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/pages\/1721\/revisions"}],"predecessor-version":[{"id":9019,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/pages\/1721\/revisions\/9019"}],"wp:attachment":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/media?parent=1721"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}