{"id":1778,"date":"2015-06-30T13:50:35","date_gmt":"2015-06-30T18:50:35","guid":{"rendered":"https:\/\/21stcenturyartivism.sites.carleton.edu\/?page_id=1778"},"modified":"2023-03-15T18:05:37","modified_gmt":"2023-03-15T18:05:37","slug":"nayra-sanz-original-works","status":"publish","type":"page","link":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/nayra-sanz-original-works\/","title":{"rendered":"Nayra Sanz &#8211; Original Works"},"content":{"rendered":"<h3 style=\"text-align: center;\">Largometraje &#8211; Feature Film<\/h3>\n<h5 style=\"text-align: center;\">\u00abEl reboso\u00bb,\u00a0Spain, 2012, 74&#8242;<\/h5>\n<p style=\"text-align: center;\">En Canarias, el reboso es la espuma que dejan las olas al romper en la costa. Pero \u201cEl Reboso\u201d es tambi\u00e9n un antiguo bar de pescadores situado en \u00d3rzola, el \u00faltimo pueblo pesquero al norte de la isla de Lanzarote. Hoy es un bar que resiste el paso del tiempo.\u00a0<a href=\"http:\/\/rinocerontefilms.com\" target=\"_blank\" rel=\"noopener noreferrer\">M\u00e1s informaci\u00f3n&#8230;<\/a><\/p>\n<p style=\"text-align: center;\"><em>Reboso\u00a0<\/em>is the word in the Canary Islands for the foam the waves leave behind on the shore. \u201cEl Reboso\u201d is also the name of an old fisherman\u2019s bar in \u00d3rzola, the last fishing village on the north of Lanzarote. A bar resisting the passing of time.\u00a0<a href=\"http:\/\/rinocerontefilms.com\/en\/\" target=\"_blank\" rel=\"noopener noreferrer\">More information&#8230;<\/a><\/p>\n<h5 style=\"text-align: center;\">\u00abTan antiguo como el mundo\u00bb \/ <em>As Old As The World<\/em>,\u00a0Spain, 2012, 87&#8242; TRAILER: <a href=\"https:\/\/vimeo.com\/32570481\" target=\"_blank\" rel=\"noopener noreferrer\">ESPA\u00d1OL<\/a>\/<a href=\"https:\/\/vimeo.com\/33656911\" target=\"_blank\" rel=\"noopener noreferrer\">ENGLISH<\/a><\/h5>\n<p style=\"text-align: center;\">La velocidad, el consumo y el exceso tecnol\u00f3gico se han convertido en los par\u00e1metros fundamentales del mundo contempor\u00e1neo. En un contexto semejante, en el que dichas realidades han quedado supeditadas a la generaci\u00f3n de beneficios econ\u00f3micos constantes, se hace urgente plantear una pregunta: \u00bfQu\u00e9 lugar les queda a la pintura y a la poes\u00eda como v\u00edas de aproximaci\u00f3n a la existencia en pleno siglo XXI? En un viaje sin destino fijo, el pintor Ant\u00f3n Lamazares se encuentra con distintos amigos y familiares junto a los cuales reflexiona en torno a algunas cuestiones decisivas como la espiritualidad, la infancia, el tiempo, la aldea, la memoria o la muerte.\u00a0<a href=\"http:\/\/rinocerontefilms.com\" target=\"_blank\" rel=\"noopener noreferrer\">M\u00e1s informaci\u00f3n&#8230;<\/a>\/<a href=\"https:\/\/vimeo.com\/32571647\" target=\"_blank\" rel=\"noopener noreferrer\">Entrevista a\u00a0Ant\u00f3n Lamazares<\/a>\/<a href=\"https:\/\/vimeo.com\/33652953\" target=\"_blank\" rel=\"noopener noreferrer\">Exposici\u00f3n de Ant\u00f3n Lamazares (Museo Kiscelli, Budapest)<\/a>\/<a href=\"https:\/\/vimeo.com\/53793297\" target=\"_blank\" rel=\"noopener noreferrer\">Breve encuentro con Carlos Oroza<\/a><\/p>\n<p style=\"text-align: center;\">Speed, consumerism and technology have become the main benchmarks for the 21st\u00a0century. In a context where all these realities are submited to the generation of financial profit, we have no choice but to ask: What space is left for poetry, painting and art as ways of approaching existence? On a never-ending journey with no certain destination, the artist Ant\u00f3n Lamazares comes across friends and relatives to reflect on memories, violence, creation, time and death: all fundamental matters when we try to find an answer to this question.\u00a0<a href=\"http:\/\/rinocerontefilms.com\/en\/\" target=\"_blank\" rel=\"noopener noreferrer\">More information&#8230;<\/a>\/<a href=\"https:\/\/vimeo.com\/34115477\" target=\"_blank\" rel=\"noopener noreferrer\">Interview with Ant\u00f3n Lamazares<\/a>\/<a href=\"https:\/\/vimeo.com\/33652953\" target=\"_blank\" rel=\"noopener noreferrer\">Ant\u00f3n Lamazares exhibition (Kiscelli Museum, Budapest)<\/a><\/p>\n<h5 style=\"text-align: center;\">\u00abEdificio Espa\u00f1a\u00bb \/ <em>The Building<\/em>,\u00a0Spain, 2012, 95&#8242; (producer)<\/h5>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/41368142\" width=\"500\" height=\"375\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: center;\">En 2007 se inicia un proyecto de reforma integral del Edificio Espa\u00f1a, un emblem\u00e1tico inmueble de Madrid que en tiempos del franquismo fue s\u00edmbolo de prosperidad. En las obras participan m\u00e1s de doscientos trabajadores de diversas nacionalidades, generando un ins\u00f3lito anecdotario e incorporando sus vivencias a la propia memoria del lugar. Una inmensa Torre de Babel sobre la que quedar\u00e1n impresas las huellas de nuestra \u00e9poca. (<a href=\"http:\/\/www.edificioespana.es\/es\" target=\"_blank\" rel=\"noopener noreferrer\">Source<\/a>)<\/p>\n<p style=\"text-align: center;\">The year 2007 saw the start of the renovation of Edificio Espa\u00f1a, an emblematic building that during the years of Franco&#8217;s regime had been a symbol of prosperity. Over two hundred workers from a long list of countries took part in the building works, which gave rise to an unusual collection of anecdotes. The life experience of all those characters became a part of the memories contained by the building structure. A huge Tower of Babel that will bear forever the mark of our times. (<a href=\"http:\/\/www.edificioespana.es\/en\" target=\"_blank\" rel=\"noopener noreferrer\">Source<\/a>)<\/p>\n<h5 style=\"text-align: center;\">\u00abLa finca\u00bb \/ <em>The Farm<\/em>,\u00a0Spain (PR\u00d3XIMAMAMENTE\/COMING SOON)<\/h5>\n<p style=\"text-align: center;\">La hermana de Eva, In\u00e9s, acaba de fallecer de c\u00e1ncer. En los \u00faltimos meses de su enfermedad logran recuperar la estrecha relaci\u00f3n que las un\u00eda de peque\u00f1as y que en un momento de sus vidas se hab\u00eda roto. Eva viajar\u00e1 a una finca familiar a esparcir las cenizas de In\u00e9s. All\u00ed conocer\u00e1 a una persona fundamental de la vida de su hermana que le desvelar\u00e1 la realidad de todos aquellos a\u00f1os en los que estuvieron separadas.\u00a0<a href=\"http:\/\/rinocerontefilms.com\" target=\"_blank\" rel=\"noopener noreferrer\">M\u00e1s informaci\u00f3n&#8230;<\/a><\/p>\n<p style=\"text-align: center;\">Eva\u2019s sister, In\u00e9s, has just died from cancer. During the final months of her illness they recovered the close relationship they used to have as young girls yet which broke down at some point in their lives. Eva returns to the family\u2019s\u00a0<em>finca<\/em>, or country estate, to scatter In\u00e9s\u2019 ashes. There she meets a person who was pivotal in her sister\u2019s life and who will reveal to her the truth of all those years they had remained apart.\u00a0<a href=\"http:\/\/rinocerontefilms.com\/en\/\" target=\"_blank\" rel=\"noopener noreferrer\">More information&#8230;<\/a><\/p>\n<h3 style=\"text-align: center;\">Cortometraje &#8211; Short<\/h3>\n<h5 style=\"text-align: center;\">\u00abLa piedra\u00bb \/ <em>The Stone<\/em>,\u00a0Spain, 2013, 47&#8242; (producer)<\/h5>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/62626075\" width=\"500\" height=\"281\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: center;\">Un hombre se enfrenta a moldear la piedra con un martillo. V\u00edctor Moreno registra este silencioso trabajo de S\u00edsifo a trav\u00e9s de planos cerrados y abiertos en sinton\u00eda con el entorno. Una meditaci\u00f3n sobre una acci\u00f3n de otra \u00e9poca en la era de la tecnolog\u00eda moderna y su insoportable levedad del ser.\u00a0<a href=\"http:\/\/rinocerontefilms.com\" target=\"_blank\" rel=\"noopener noreferrer\">M\u00e1s informaci\u00f3n&#8230;<\/a><\/p>\n<p style=\"text-align: center;\">To a minimalist symphony composed of the sounds of the wind and blows of metal upon stone, a man tackles a rock formation with a sledgehammer. Victor Moreno records this silent Sisyphean labour through tight and wide shots in keeping with the surroundings. A musing on this old-fashioned action in the era of modern technology and its unbearable lightness of being.\u00a0<a href=\"http:\/\/rinocerontefilms.com\/en\/\" target=\"_blank\" rel=\"noopener noreferrer\">More information&#8230;<\/a><\/p>\n<h5 style=\"text-align: center;\">\u00abEl aniversario\u00bb \/ \u00a0<a href=\"http:\/\/www.cultureunplugged.com\/storyteller\/Nayra_y_Javier_Sanz_Fuentes\/TFRFPStP#\/myFilms\" target=\"_blank\" rel=\"noopener noreferrer\">Anniversary<\/a>,\u00a0Spain, 2009, 10&#8242;<\/h5>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/34910422\" width=\"500\" height=\"281\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: center;\">Para recordar su aparente felicidad, Mary y David, un matrimonio de clase media americana, celebran cada a\u00f1o puntualmente su mon\u00f3tono aniversario de bodas. Sin embargo, el ritual, cuidado en todo detalle, ser\u00e1 interrumpido por una llamada de tel\u00e9fono a mitad de la cena que, en esta ocasi\u00f3n, desvelar\u00e1 una realidad mucho m\u00e1s tr\u00e1gica e inquietante.\u00a0<a href=\"http:\/\/rinocerontefilms.com\" target=\"_blank\" rel=\"noopener noreferrer\">M\u00e1s informaci\u00f3n&#8230;<\/a><\/p>\n<p style=\"text-align: center;\">David is the perfect husband. He is sensitive and attentive, and always knows what to do and what to say. In fact, he never, ever forgets to celebrate his wedding anniversary. For his wife\u00a0 Mary, he manages to commemorate their wedding with the absolutely\u00a0<em>perfect<\/em>dinner every year.But, this time, David\u00b4s carefully prepared ritual is interrupted by an unexpected phone call that exposes the disturbing \u2013and trgic- reality beneath his perfection.\u00a0<a href=\"http:\/\/rinocerontefilms.com\/en\/\" target=\"_blank\" rel=\"noopener noreferrer\">More information&#8230;<\/a><\/p>\n<h5 style=\"text-align: center;\"><em>Encounter<\/em>,\u00a0Spain, 2011, 15&#8242;<\/h5>\n<p style=\"text-align: center;\">Stephanie, una mujer de clase media neoyorquina, se siente desbordada por los diferentes roles que la sociedad le impone: ser una esposa y una madre perfecta, as\u00ed como demostrar su inagotable rendimiento laboral en un mundo competitivo. La enorme tensi\u00f3n a la que se ver\u00e1 sometida le conducir\u00e1 hasta los l\u00edmites de su propia identidad.\u00a0<a href=\"http:\/\/rinocerontefilms.com\" target=\"_blank\" rel=\"noopener noreferrer\">M\u00e1s informaci\u00f3n&#8230;<\/a><\/p>\n<p style=\"text-align: center;\">Stephanie is an ambitious career woman who knows exactly the roles she has to play. In the office, she is the perfect employee. She works long hours and covers for everyone. At home, she is the perfect mom and wife. Lately, she\u2019s been feeling absolutely overwhelmed. While trying to be everywhere at the same time, she will encounter the limits to her own identity.\u00a0<a href=\"http:\/\/rinocerontefilms.com\/en\/\" target=\"_blank\" rel=\"noopener noreferrer\">More information&#8230;<\/a><\/p>\n<h5 style=\"text-align: center;\"><em>Things in Common<\/em>,\u00a0Spain,\u00a02011, 15&#8242;<\/h5>\n<p style=\"text-align: center;\">\u00bfQui\u00e9n espera conocer a alguien en una fiesta, pasar la noche juntos, y al d\u00eda siguiente descubrir que tienen tantas cosas en com\u00fan?\u00a0<a href=\"http:\/\/rinocerontefilms.com\" target=\"_blank\" rel=\"noopener noreferrer\">M\u00e1s informaci\u00f3n&#8230;<\/a><\/p>\n<p style=\"text-align: center;\">Who believes to meet someone at a party, spend the night together, and the next day find they have so many things in common?\u00a0<a href=\"http:\/\/rinocerontefilms.com\/en\/\" target=\"_blank\" rel=\"noopener noreferrer\">More information&#8230;<\/a><\/p>\n<h5 style=\"text-align: center;\">\u00abUn dia cualquiera\u00bb \/ <em>Yet Another Day<\/em>,\u00a0Spain, 2014, 27&#8242;<\/h5>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/74462566\" width=\"500\" height=\"281\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: center;\">Un d\u00eda cualquiera en la vida de Ana, pero ni su novio, familia y amigos conocen su verdadera realidad, a pesar de ser parte de ella.\u00a0<a href=\"http:\/\/rinocerontefilms.com\" target=\"_blank\" rel=\"noopener noreferrer\">M\u00e1s informaci\u00f3n&#8230;<\/a><\/p>\n<p style=\"text-align: center;\">Another day in the life of Ana, but her boyfriend, family and friends don\u2019t know her real reality, even being part of it.\u00a0<a href=\"http:\/\/rinocerontefilms.com\/en\/\" target=\"_blank\" rel=\"noopener noreferrer\">More information&#8230;<\/a><\/p>\n<h3 style=\"text-align: center;\">Ver m\u00e1s proyectos <a href=\"https:\/\/vimeo.com\/rinocerontefilms\" target=\"_blank\" rel=\"noopener noreferrer\">aqu\u00ed<\/a> &#8211; See more projects <a href=\"https:\/\/vimeo.com\/rinocerontefilms\" target=\"_blank\" rel=\"noopener noreferrer\">here<\/a><\/h3>\n<h3 style=\"text-align: center;\">Ensayo &#8211; Essay<\/h3>\n<h5 style=\"text-align: center;\"><a href=\"http:\/\/docma.es\/textos\/sesion-identidad-y-memoria-por-nayra-sanz-fuentes\/\" target=\"_blank\" rel=\"noopener noreferrer\">Identidad y memoria. Intersecciones entre lo individual y lo colectivo<\/a>\u00a0(junio 2015)<\/h5>\n<h5 style=\"text-align: center;\">Sanz Fuentes, Nayra. \u00abLibros de caballer\u00edas: Textos y contextos.\u00bb\u00a0Edad de oro\u00a021.(2002): 541-549.\u00a0MLA International Bibliography. Web. 28 Nov. 2015.<\/h5>\n<p style=\"text-align: right;\"><a href=\"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/audiovisual-creation\/nayra-sanz\/\">\u2b05\ufe0e Back to Nayra Sanz&#8217;s\u00a0Biography<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Largometraje &#8211; Feature Film \u00abEl reboso\u00bb,\u00a0Spain, 2012, 74&#8242; En Canarias, el reboso es la espuma que dejan las olas al romper en la costa. Pero \u201cEl Reboso\u201d es tambi\u00e9n un antiguo bar de pescadores situado en \u00d3rzola, el \u00faltimo pueblo pesquero al norte de la isla de Lanzarote. Hoy es un bar que resiste el [&hellip;]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"site-container-style":"default","site-container-layout":"default","site-sidebar-layout":"default","disable-article-header":"default","disable-site-header":"default","disable-site-footer":"default","disable-content-area-spacing":"default"},"acf":[],"_links":{"self":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/pages\/1778"}],"collection":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/comments?post=1778"}],"version-history":[{"count":1,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/pages\/1778\/revisions"}],"predecessor-version":[{"id":8821,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/pages\/1778\/revisions\/8821"}],"wp:attachment":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/media?parent=1778"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}