{"id":1805,"date":"2015-07-01T14:28:56","date_gmt":"2015-07-01T19:28:56","guid":{"rendered":"https:\/\/21stcenturyartivism.sites.carleton.edu\/?page_id=1805"},"modified":"2023-03-15T18:05:33","modified_gmt":"2023-03-15T18:05:33","slug":"alfonso-amador-original-works","status":"publish","type":"page","link":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/alfonso-amador-original-works\/","title":{"rendered":"Alfonso Amador &#8211; Original Works"},"content":{"rendered":"<h3 style=\"text-align: center;\">Largometraje &#8211; Feature Film<\/h3>\n<h5 style=\"text-align: center;\">\u00abEnxaneta\u00bb, Spain, 2011, 76&#8242; <a href=\"https:\/\/vimeo.com\/34192324\" target=\"_blank\" rel=\"noopener noreferrer\">TRAILER<\/a><\/h5>\n<h5 style=\"text-align: center;\">\u00ab50 d\u00edas de mayo (ensayo para una revoluci\u00f3n)\u00bb \/ \u00a0<em>50 Days in\u00a0May (Rehearsal for a Revolution)<\/em>,<em>\u00a0<\/em>Spain, 2012, 93&#8242;<\/h5>\n<p style=\"text-align: center;\">En mayo de 2011 miles de ciudadanos espa\u00f1oles tomaron las calles y las principales plazas del pa\u00eds; plazas en las que estuvieron acampados durante m\u00e1s de un mes. Para protestar y exigir cambios. Para organizarse. Pero sobre todo, para hablar. Un revoluci\u00f3n es una gran conversaci\u00f3n.\u00a0(<a href=\"http:\/\/www.promofest.org\/films\/50-dias-de-mayo-ensayo-para-una-revolucion\" target=\"_blank\" rel=\"noopener noreferrer\">Source<\/a>)<\/p>\n<p style=\"text-align: center;\">In May 2011, the Spanish people took the streets and main squares of the country, where they camped for more than a month. This was soon known all over the globe as the \u201cSpanish revolution\u201d: fifty days of protesting, demanding and, most of all, talking. A revolution is an immense conversation. (<a href=\"http:\/\/www.promofest.org\/films\/50-dias-de-mayo-ensayo-para-una-revolucion\" target=\"_blank\" rel=\"noopener noreferrer\">Source<\/a>)<\/p>\n<h3 style=\"text-align: center;\">Cortometraje &#8211; Short<\/h3>\n<h5 style=\"text-align: center;\"><span class=\"itemprop\">\u00ab9&#8217;8m\/s\u00b2\u00bb, Spain, 1998<\/span><\/h5>\n<h5 style=\"text-align: center;\">\u00abTodo lo que necesitas para hacer una pel\u00edcula\u00bb \/\u00a0<em>All You Need to Make a Movie<\/em>, Spain, 2002, 19&#8242;<\/h5>\n<div class=\"page\" title=\"Page 2\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p style=\"text-align: center;\">\u00abTodo lo que necesitas para hacer una pel\u00edcula es una chica y una pistola\u00bb. (<a href=\"http:\/\/www.mcu.es\/comun\/bases\/cine\/Anuarios\/2002\/P81001.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Source<\/a>)<\/p>\n<p style=\"text-align: center;\">\u00abAll you need to make a movie is a girl and a pistol.\u00bb\u00a0(<a href=\"http:\/\/www.mcu.es\/comun\/bases\/cine\/Anuarios\/2002\/P81001.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Source<\/a>)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<h3 style=\"text-align: center;\">Televisi\u00f3n &#8211; Television<\/h3>\n<h5 style=\"text-align: center;\">\u00abEl caso de la ni\u00f1a desaparecida\u00bb &#8211; from\u00a0TV series Robles, investigador. (2000) Writer.<\/h5>\n<h5 style=\"text-align: center;\">\u00abV\u00e9rtigo\u00bb &#8211; from TV series Compa\u00f1eros. (2002) Writer<\/h5>\n<h5 style=\"text-align: center;\"><\/h5>\n<p style=\"text-align: right;\"><a href=\"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/audiovisual-creation\/alfonso-amador\/\">\u2b05\ufe0e Back to Alfonso Amador&#8217;s\u00a0Biography<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Largometraje &#8211; Feature Film \u00abEnxaneta\u00bb, Spain, 2011, 76&#8242; TRAILER \u00ab50 d\u00edas de mayo (ensayo para una revoluci\u00f3n)\u00bb \/ \u00a050 Days in\u00a0May (Rehearsal for a Revolution),\u00a0Spain, 2012, 93&#8242; En mayo de 2011 miles de ciudadanos espa\u00f1oles tomaron las calles y las principales plazas del pa\u00eds; plazas en las que estuvieron acampados durante m\u00e1s de un mes. [&hellip;]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"site-container-style":"default","site-container-layout":"default","site-sidebar-layout":"default","disable-article-header":"default","disable-site-header":"default","disable-site-footer":"default","disable-content-area-spacing":"default"},"acf":[],"_links":{"self":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/pages\/1805"}],"collection":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/comments?post=1805"}],"version-history":[{"count":1,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/pages\/1805\/revisions"}],"predecessor-version":[{"id":8565,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/pages\/1805\/revisions\/8565"}],"wp:attachment":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/media?parent=1805"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}