{"id":2674,"date":"2015-07-17T19:01:49","date_gmt":"2015-07-18T00:01:49","guid":{"rendered":"https:\/\/21stcenturyartivism.sites.carleton.edu\/?page_id=2674"},"modified":"2023-03-15T18:05:37","modified_gmt":"2023-03-15T18:05:37","slug":"miguel-angel-nieto-original-works","status":"publish","type":"page","link":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/miguel-angel-nieto-original-works\/","title":{"rendered":"Miguel \u00c1ngel Nieto &#8211; Original Works"},"content":{"rendered":"<h3 style=\"text-align: center;\">Largometraje &#8211; Feature Film<\/h3>\n<h5 style=\"text-align: center;\">\u00ab<a href=\"https:\/\/vimeo.com\/146540657\" target=\"_blank\" rel=\"noopener noreferrer\">Hijos del cante<\/a>\u00ab, 2000, 49&#8242;<\/h5>\n<h5 class=\"js-clip_title\" style=\"text-align: center;\">\u00ab<a href=\"https:\/\/vimeo.com\/138135209\" target=\"_blank\" rel=\"noopener noreferrer\">La verdadera historia de los falsos Dal\u00ed<\/a>\u00ab, Spain, 2002, 53&#8242;<\/h5>\n<h5 style=\"text-align: center;\">\u00ab<a href=\"https:\/\/vimeo.com\/132431211\" target=\"_blank\" rel=\"noopener noreferrer\">Soportar el para\u00edso<\/a>\u00bb 2003, 46&#8242;<\/h5>\n<h5 style=\"text-align: center;\"><em>\u00ab<\/em><a href=\"https:\/\/vimeo.com\/147637353\" target=\"_blank\" rel=\"noopener noreferrer\">El \u00faltimo sefard\u00ed<\/a>\u00ab, Spain, 2004, 81&#8242;<\/h5>\n<h5 style=\"text-align: center;\">\u00ab<a href=\"https:\/\/vimeo.com\/130637872\" target=\"_blank\" rel=\"noopener noreferrer\">Almas sin fronteras<\/a>\u00bb \/ <a href=\"https:\/\/vimeo.com\/130964048\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Souls without Borders<\/em><\/a>, 2006, 51&#8242;<\/h5>\n<h3 style=\"text-align: center;\">Series<\/h3>\n<h5 style=\"text-align: center;\">\u00abDoce miradas, doce minutos\u00bb<\/h5>\n<p style=\"text-align: center;\">I: <a href=\"https:\/\/vimeo.com\/146533108\" target=\"_blank\" rel=\"noopener noreferrer\">Los cielos<\/a> (2005)<\/p>\n<p style=\"text-align: center;\">II: <a href=\"https:\/\/vimeo.com\/146533220\" target=\"_blank\" rel=\"noopener noreferrer\">Primavera<\/a>\u00a0(2005)<\/p>\n<p style=\"text-align: center;\">III: <a href=\"https:\/\/vimeo.com\/146564529\" target=\"_blank\" rel=\"noopener noreferrer\">Luces de Bohemia<\/a> (2005)<\/p>\n<p style=\"text-align: center;\">IV: <a href=\"https:\/\/vimeo.com\/146564659\" target=\"_blank\" rel=\"noopener noreferrer\">Ventanas<\/a>\u00a0(2005)<\/p>\n<p style=\"text-align: center;\">V:<\/p>\n<p style=\"text-align: center;\">VI:<\/p>\n<h5 style=\"text-align: center;\">\u00abCr\u00f3nica de pa\u00edses inexistentes\u00bb<\/h5>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.huffingtonpost.es\/miguel-angel-nieto\/cronicas-de-paises_b_6139630.html\" target=\"_blank\" rel=\"noopener noreferrer\">I: Nagorno Karabaj<\/a><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.huffingtonpost.es\/miguel-angel-nieto\/cronica-de-paises-inexist_b_6170134.html\" target=\"_blank\" rel=\"noopener noreferrer\">II: Osetia del Sur<\/a><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.huffingtonpost.es\/miguel-angel-nieto\/cronica-de-paises_b_6210962.html\" target=\"_blank\" rel=\"noopener noreferrer\">III: Abjacia<\/a><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.huffingtonpost.es\/miguel-angel-nieto\/cronica-de-paises-inexist_1_b_6247216.html\" target=\"_blank\" rel=\"noopener noreferrer\">IV: Adjaria<\/a><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.huffingtonpost.es\/miguel-angel-nieto\/cronica-de-paises_b_6295150.html\" target=\"_blank\" rel=\"noopener noreferrer\">V: Crimea<\/a><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.huffingtonpost.es\/miguel-angel-nieto\/cronica-de-paises_b_6326830.html\" target=\"_blank\" rel=\"noopener noreferrer\">VI: Sebastopol<\/a><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.huffingtonpost.es\/miguel-angel-nieto\/donbasistan_b_6365346.html\" target=\"_blank\" rel=\"noopener noreferrer\">VII: Donbasist\u00e1n<\/a><\/p>\n<h3 style=\"text-align: center;\">Cortometraje &#8211; Short<\/h3>\n<h5 style=\"text-align: center;\">\u00ab<a href=\"https:\/\/vimeo.com\/138139487\" target=\"_blank\" rel=\"noopener noreferrer\">Armenia, genocidio permenente<\/a>\u00ab, 2015, 5&#8242;<\/h5>\n<h3 style=\"text-align: center;\">Ver m\u00e1s trabajos <a href=\"https:\/\/vimeo.com\/manietos\" target=\"_blank\" rel=\"noopener noreferrer\">aqu\u00ed<\/a> &#8211; See more works <a href=\"https:\/\/vimeo.com\/manietos\" target=\"_blank\" rel=\"noopener noreferrer\">here<\/a><\/h3>\n<h3>Ensayo &#8211; Essay<\/h3>\n<ul>\n<li>\n<h5>\u00ab<a href=\"http:\/\/www.fronterad.com\/?q=sigilosa-frontera-gente-no-se-echa-al-mar-para-vivir-sino-para-sobrevivir\" target=\"_blank\" rel=\"noopener noreferrer\">Sigilosa frontera. La gente no se echa al mar para vivir sino para sobrevivir<\/a>\u00bb (<a href=\"http:\/\/www.escritores.org\/recursos-para-escritores\/premios-literarios-resultados\" target=\"_blank\" rel=\"noopener noreferrer\">awarded the\u00a0Premio Internacional de Ensayo Limaclara 2015<\/a>)<\/h5>\n<\/li>\n<\/ul>\n<h3>Novelas &#8211; Novels<\/h3>\n<ul>\n<li>\n<h5>Nieto Sol\u00eds, Miguel \u00c1ngel.\u00a0<em>Cazadores de noticias<\/em>. Madrid: Temas de hoy, 1997.<\/h5>\n<\/li>\n<li>\n<h5>Nieto Sol\u00eds, Miguel \u00c1ngel.\u00a0<em>Negocio redondo<\/em>. Madrid: Temas de hoy, 1996.<\/h5>\n<\/li>\n<li>\n<h5>Nieto Sol\u00eds, Miguel \u00c1ngel and Jos\u00e9 Ortiz.\u00a0<em>La civilizaci\u00f3n Inca: los hijos del sol<\/em>. Barcelona:\u00a0Sociedad Estatal Quinto Centenario, 1992.<\/h5>\n<\/li>\n<li>\n<h5>Nieto Sol\u00eds, Miguel \u00c1ngel.\u00a0<em>El \u00faltimo sefard\u00ed<\/em>. Madrid: Calamar, 2003.<\/h5>\n<\/li>\n<li>\n<h5>P\u00e9rez Garc\u00eda, Encarna and Miguel \u00c1ngel Nieto Sol\u00eds. <em>Los c\u00f3mplices de Mario Conde<\/em>. Madrid: Temas de hoy, 1993.<\/h5>\n<\/li>\n<\/ul>\n<h3>Art\u00edculos &#8211; Articles<\/h3>\n<ul>\n<li>\n<h5>\u00ab<a href=\"http:\/\/cultura.elpais.com\/cultura\/2015\/04\/13\/actualidad\/1428939227_739244.html\" target=\"_blank\" rel=\"noopener noreferrer\">Defensa de la palabra:\u00a0Muere el escritor uruguayo Eduardo Galeano<\/a>\u00bb (abril 2015)<\/h5>\n<\/li>\n<li>\n<h5>\u00ab<a href=\"http:\/\/www.huffingtonpost.es\/miguel-angel-nieto\/manuela-ada-leed-esto-las_b_7661094.html\" target=\"_blank\" rel=\"noopener noreferrer\">Manuela, Ada, leed esto: las gallinas que entran por las que salen<\/a>\u00bb (junio 2015)<\/h5>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p style=\"text-align: right;\"><a href=\"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/audiovisual-creation\/miguel-angel-nieto\/\">\u2b05\ufe0e Back to Miguel \u00c1ngel Nieto&#8217;s Biography<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Largometraje &#8211; Feature Film \u00abHijos del cante\u00ab, 2000, 49&#8242; \u00abLa verdadera historia de los falsos Dal\u00ed\u00ab, Spain, 2002, 53&#8242; \u00abSoportar el para\u00edso\u00bb 2003, 46&#8242; \u00abEl \u00faltimo sefard\u00ed\u00ab, Spain, 2004, 81&#8242; \u00abAlmas sin fronteras\u00bb \/ Souls without Borders, 2006, 51&#8242; Series \u00abDoce miradas, doce minutos\u00bb I: Los cielos (2005) II: Primavera\u00a0(2005) III: Luces de Bohemia (2005) [&hellip;]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"site-container-style":"default","site-container-layout":"default","site-sidebar-layout":"default","disable-article-header":"default","disable-site-header":"default","disable-site-footer":"default","disable-content-area-spacing":"default"},"acf":[],"_links":{"self":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/pages\/2674"}],"collection":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/comments?post=2674"}],"version-history":[{"count":1,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/pages\/2674\/revisions"}],"predecessor-version":[{"id":9055,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/pages\/2674\/revisions\/9055"}],"wp:attachment":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/media?parent=2674"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}