{"id":2783,"date":"2015-08-11T14:35:20","date_gmt":"2015-08-11T19:35:20","guid":{"rendered":"https:\/\/21stcenturyartivism.sites.carleton.edu\/?page_id=2783"},"modified":"2023-03-15T18:05:35","modified_gmt":"2023-03-15T18:05:35","slug":"gervasio-sanchez-bibliography","status":"publish","type":"page","link":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/gervasio-sanchez-bibliography\/","title":{"rendered":"Gervasio Sanchez &#8211; Bibliography"},"content":{"rendered":"<h3 style=\"text-align: left;\">Art\u00edculos &#8211; Articles<\/h3>\n<ul>\n<li><a href=\"https:\/\/elproyectomatriz.wordpress.com\/2009\/07\/27\/gervasio-sanchez-fotografo-del-dolor\/\" target=\"_blank\" rel=\"noopener noreferrer\">Gervasio S\u00e1nchez: fot\u00f3grafo del dolor<\/a><\/li>\n<li><a href=\"http:\/\/www.mecd.gob.es\/cultura-mecd\/eu\/dms\/mecd\/cultura-mecd\/areas-cultura\/promociondelarte\/exposiciones\/prog-exposiciones-itinerantes\/exposiciones-disponibles\/gervasiosanchez\/DossierItinerancia_Gervasio_Ingles.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">on\u00a0<em>Anthology<\/em><\/a><\/li>\n<li><a href=\"http:\/\/www.closeencountersinwar.com\/index.php\/item\/what-does-proximity-mean-for-local-interpreters-working-in-zones-of-conflict\" target=\"_blank\" rel=\"noopener noreferrer\">What does\u00a0\u2018proximity\u2019 mean for local\u00a0interpreters working in zones of conflict?<\/a>\u00a0by Mar\u00eda Manuela Fern\u00e1ndez S\u00e1nchez<\/li>\n<li><a href=\"http:\/\/www.revistalatinacs.org\/09\/Sociedad\/actas\/87jorge.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Periodismo literario y fotograf\u00eda humanista. Rasgos esenciales y confluencias. Hacia un\u00a0<em>fotoperiodismo\u00a0literario<\/em><\/a>\u00a0por\u00a0Jorge Miguel Rodr\u00edguez Rodr\u00edguez y\u00a0Pilar Irala Hortal<\/li>\n<li><a href=\"https:\/\/doaj.org\/article\/5ec9f6c5813a497a84eeccef9e586284\" target=\"_blank\" rel=\"noopener noreferrer\">Rese\u00f1a de \u00abLos ojos de la guerra\u00bb de Gervasio S\u00e1nchez y Miguel Legueniche<\/a>\u00a0por\u00a0Mirla Villadiego Prins<\/li>\n<li><a href=\"https:\/\/doaj.org\/article\/5b5ce95e329f40d38e54bf45229a5e5a\" target=\"_blank\" rel=\"noopener noreferrer\">El reportero como testigo directo: de la invasi\u00f3n de Irak a la Primavera \u00c1rabe en Libia (2003-2011)<\/a>\u00a0por\u00a0Rosana Fuentes Fern\u00e1ndez<\/li>\n<li><a href=\"http:\/\/www.apmadrid.es\/images\/stories\/doc\/vapm20100427125738.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Estrategias period\u00edsticas en las primeras\u00a0<\/a><span style=\"line-height: 1.5;\"><span style=\"line-height: 1.5;\"><a href=\"http:\/\/www.apmadrid.es\/images\/stories\/doc\/vapm20100427125738.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">guerras del siglo XXI<\/a>\u00a0por Rosana Fuentes (noviembre 2009)<\/span><\/span><\/li>\n<li><a href=\"http:\/\/cultura.elpais.com\/cultura\/2011\/01\/25\/actualidad\/1295910020_850215.html\" target=\"_blank\" rel=\"noopener noreferrer\">Gervasio S\u00e1nchez retrata el drama de los desaparecidos<\/a>\u00a0por\u00a0\u00c1ngeles Garc\u00eda (25\/01\/2011)<\/li>\n<li><a href=\"http:\/\/revistas.ucm.es\/index.php\/DCIN\/article\/view\/40447\/38797\" target=\"_blank\" rel=\"noopener noreferrer\">La documentaci\u00f3n de la Guerra de la Antigua Yugoslavia a trav\u00e9s de las fotograf\u00edas de Gervasio S\u00e1nchez<\/a>\u00a0por Julia Cela y Alicias Parras Parras (junio 2012)<\/li>\n<li><a href=\"http:\/\/www.rtve.es\/television\/20140425\/fotografo-gervasio-sanchez-testigo-guerra\/906100.shtml\" target=\"_blank\" rel=\"noopener noreferrer\">El fot\u00f3grafo Gervasio S\u00e1nchez, testigo de la guerra<\/a> (25\/04\/2014)<\/li>\n<li><a href=\"https:\/\/www.afghanistan-analysts.org\/women-suffering-women-looking-for-ways-out-a-photo-exhibition-in-barcelona\/\" target=\"_blank\" rel=\"noopener noreferrer\">on <em>Women Suffering, Women Looking for Ways Out<\/em><\/a> by Thomas Ruttig<strong>\u00a0<\/strong>(27\/01\/2015)<\/li>\n<li><a href=\"http:\/\/www.huffingtonpost.es\/luis-alegre\/gervasio-sanchez-el-gran-_b_6594000.html\" target=\"_blank\" rel=\"noopener noreferrer\">Gervasio S\u00e1nchez, el gran zaur\u00edn<\/a>\u00a0por Lu\u00eds Alegre (04\/02\/2015)<\/li>\n<li><a href=\"http:\/\/rubixephoto.com\/2015\/06\/12\/libro-de-fotografia-antologia-gervasio-sanchez\/\" target=\"_blank\" rel=\"noopener noreferrer\">Libro de Fotograf\u00eda: Antolog\u00eda, Gervasio S\u00e1nchez<\/a>\u00a0por\u00a0<span class=\"fn\">Jota Barros\u00a0<\/span>(12\/06\/2015)<\/li>\n<li><a href=\"http:\/\/www.20minutos.es\/noticia\/2491345\/0\/inaugurada-meh-muestra-fotografica-afganistan-mujeres-gervasio-sanchez-monica-bernabe\/\" target=\"_blank\" rel=\"noopener noreferrer\">Inaugurada en el MEH la muestra fotogr\u00e1fica &#8216;Afganist\u00e1n. Mujeres&#8217;, de Gervasio S\u00e1nchez y M\u00f3nica Bernab\u00e9<\/a> por Europa Press (16\/06\/2015)<\/li>\n<li>Mora Perdomo, Leticia. \u00ab<a href=\"http:\/\/sedici.unlp.edu.ar\/bitstream\/handle\/10915\/16321\/Documento_completo.pdf?sequence=1\" target=\"_blank\" rel=\"noopener noreferrer\">Literatura y fotograf\u00eda en Cuaderno de Sarajevo y El sitio de los sitios de Juan Goytisolo<\/a>.\u00bb\u00a0<i>I Congreso Internacional de Literatura y Cultura Espa\u00f1olas Contempor\u00e1neas<\/i>. 2008. Web. 23 Dec. 2015.<\/li>\n<\/ul>\n<p style=\"text-align: right;\"><a href=\"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/photography\/gervasio-sanchez\/\">\u2b05\ufe0e Back to\u00a0Gervasio Sanchez&#8217;s Biography<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Art\u00edculos &#8211; Articles Gervasio S\u00e1nchez: fot\u00f3grafo del dolor on\u00a0Anthology What does\u00a0\u2018proximity\u2019 mean for local\u00a0interpreters working in zones of conflict?\u00a0by Mar\u00eda Manuela Fern\u00e1ndez S\u00e1nchez Periodismo literario y fotograf\u00eda humanista. Rasgos esenciales y confluencias. Hacia un\u00a0fotoperiodismo\u00a0literario\u00a0por\u00a0Jorge Miguel Rodr\u00edguez Rodr\u00edguez y\u00a0Pilar Irala Hortal Rese\u00f1a de \u00abLos ojos de la guerra\u00bb de Gervasio S\u00e1nchez y Miguel Legueniche\u00a0por\u00a0Mirla Villadiego Prins [&hellip;]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"site-container-style":"default","site-container-layout":"default","site-sidebar-layout":"default","disable-article-header":"default","disable-site-header":"default","disable-site-footer":"default","disable-content-area-spacing":"default"},"acf":[],"_links":{"self":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/pages\/2783"}],"collection":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/comments?post=2783"}],"version-history":[{"count":3,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/pages\/2783\/revisions"}],"predecessor-version":[{"id":8897,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/pages\/2783\/revisions\/8897"}],"wp:attachment":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/media?parent=2783"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}