{"id":296,"date":"2014-10-27T15:47:23","date_gmt":"2014-10-27T20:47:23","guid":{"rendered":"https:\/\/21stcenturyartivism.sites.carleton.edu\/?page_id=296"},"modified":"2023-03-15T18:05:38","modified_gmt":"2023-03-15T18:05:38","slug":"siminiani-bibliography","status":"publish","type":"page","link":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/siminiani-bibliography\/","title":{"rendered":"Siminiani- Bibliography"},"content":{"rendered":"<h3><em>Mapa<\/em><\/h3>\n<ul>\n<li><a href=\"http:\/\/www.madrimasd.org\/blogs\/imagen_cine_comunicacion_audiovisual\/2013\/05\/25\/126342\" target=\"_blank\" rel=\"noopener noreferrer\">rese\u00f1a de\u00a0Beatriz Andrade Losada<\/a><\/li>\n<li><a href=\"http:\/\/www.otroscines.com\/festivales_detalle.php?idnota=7336&amp;idsubseccion=132\" target=\"_blank\" rel=\"noopener noreferrer\">rese\u00f1a de\u00a0Eddy B\u00e1ez<\/a><\/li>\n<li><a href=\"https:\/\/cinemaniemeyer.wordpress.com\/2013\/01\/09\/mapa-elias-leon-siminiani\/\" target=\"_blank\" rel=\"noopener noreferrer\">rese\u00f1a de Cinema.Niemeyer<\/a><\/li>\n<li><a href=\"http:\/\/variety.com\/2013\/film\/reviews\/film-review-map-1200003832\/\" target=\"_blank\" rel=\"noopener noreferrer\">review by Jonathan Holland<\/a><\/li>\n<li><a href=\"http:\/\/www.undermgzn.com\/cine-tv\/cine\/cine-en-primera-persona-cauce-formal-o-pose-indie\/\" target=\"_blank\" rel=\"noopener noreferrer\">rese\u00f1a de Manuel Broull\u00f3n<\/a><\/li>\n<li>Cuevas, Efr\u00e9n. \u00ab<a href=\"http:\/\/www.unav.edu\/publicaciones\/revistas\/index.php\/rilce\/article\/viewFile\/2990\/2791\" target=\"_blank\" rel=\"noopener noreferrer\">El cine autobiogr\u00e1fico en Espa\u00f1a: Una panor\u00e1mica<\/a>.\u00bb\u00a0<i>RILCE<\/i>\u00a028, no. 1 (2012): 106-125,335-336. Web. 9 Jan. 2016.<\/li>\n<li>Fern\u00e1ndez Labayen, Miguel, Josetxo Cerd\u00e1n Los Arcos, and Elena Oroz. \u00ab<a href=\"https:\/\/telos.fundaciontelefonica.com\/DYC\/TELOS\/NMEROSANTERIORES\/Nmeros80101\/seccion=1267&amp;idioma=es_ES.do\" target=\"_blank\" rel=\"noopener noreferrer\">El caso de \u00abMapa\u00bb (El\u00edas Le\u00f3n Siminiani, 2012): Producci\u00f3n y circulaci\u00f3n del documental en el entorno digital<\/a>.\u00bb\u00a0Telos: Cuadernos de comunicaci\u00f3n e innovaci\u00f3n\u00a096 (2013): 72-81. Web. 8 Jan. 2016.<\/li>\n<li>G\u00f3mez G\u00f3mez, Agust\u00edn. \u00ab<a href=\"http:\/\/e-spacio.uned.es\/fez\/view.php?pid=bibliuned:signa-2015-24-5105\" target=\"_blank\" rel=\"noopener noreferrer\">La transparencia de un diario audiovisual de ficci\u00f3n: Mapa (2012), de El\u00edas Le\u00f3n Siminiani<\/a>.\u00bb\u00a0Signa: Revista De La Asociaci\u00f3n Espa\u00f1ola De Semi\u00f3tica (24)\u00a0Jan. 2015. Web. 8 Jan. 2016.<\/li>\n<\/ul>\n<h3>Other<\/h3>\n<ul>\n<li><a href=\"http:\/\/cinemania.es\/noticias\/antologia-de-leon-siminiani-los-mejores-cortos-del-autor-de-mapa\/\" target=\"_blank\" rel=\"noopener noreferrer\">Antolog\u00eda de Le\u00f3n Siminiani: Los mejores cortos del autor de \u2018Mapa\u2019<\/a>\u00a0por Yago Garc\u00eda (01\/02\/2013)<\/li>\n<li>Catal\u00e0, Josep M. <a href=\"https:\/\/addiehu.ehu.es\/bitstream\/10810\/8203\/1\/Territorios%20y%20Fronteras.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">\u00abGu\u00eda de perplejos.\u00a0<\/a><span style=\"line-height: 1.5;\"><a href=\"https:\/\/addiehu.ehu.es\/bitstream\/10810\/8203\/1\/Territorios%20y%20Fronteras.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">El cine imposible de Le\u00f3n Siminiani.\u00bb\u00a0<i>Territorios y fronteras: experiencias documentales contempor\u00e1neas<\/i>.<\/a> Vanesa\u00a0Fern\u00e1ndez Guerra and Miren Gabantxo Uriagereka, eds.\u00a0Servicio Editorial de la Universidad del Pa\u00eds Vasco\/Euskal Herriko Unibertsitatearen Argitalpen Zerbitzua, 2012. Web. 22 \u00a0Dec. 2015.<\/span><\/li>\n<li>Lacuesta, Isaki.\u00a0<a href=\"https:\/\/addiehu.ehu.es\/bitstream\/10810\/8203\/1\/Territorios%20y%20Fronteras.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">\u00abLos amores invisibles. Notas provisionales sobre el cine de Le\u00f3n Siminiani y V\u00edctor Iriarte\u00bb.\u00a0<i>Territorios y fronteras: experiencias documentales contempor\u00e1neas<\/i><\/a>. Vanesa\u00a0Fern\u00e1ndez Guerra and Miren Gabantxo Uriagereka, eds.\u00a0Servicio Editorial de la Universidad del Pa\u00eds Vasco\/Euskal Herriko Unibertsitatearen Argitalpen Zerbitzua, 2012. Web. 22 \u00a0Dec. 2015.<\/li>\n<li>Oter, Jorge.\u00a0<a href=\"https:\/\/addiehu.ehu.es\/bitstream\/10810\/8203\/1\/Territorios%20y%20Fronteras.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">\u00abCine de cerca: Escart\u00edn, Iriarte, Lacuesta y Siminiani\u00bb.\u00a0<i>Territorios y fronteras: experiencias documentales contempor\u00e1neas<\/i>.<\/a>\u00a0Vanesa\u00a0Fern\u00e1ndez Guerra and Miren Gabantxo Uriagereka, eds.\u00a0Servicio Editorial de la Universidad del Pa\u00eds Vasco\/Euskal Herriko Unibertsitatearen Argitalpen Zerbitzua, 2012. Web. 22 \u00a0Dec. 2015.<\/li>\n<\/ul>\n<p style=\"text-align: right;\"><a href=\"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/audiovisual-creation\/leon-siminiani\/\">\u2b05\ufe0e Back to Le\u00f3n Siminiani&#8217;s\u00a0Biography<\/a><\/p>\n<p><span style=\"color: #222222; font-family: Verdana, Arial, sans-serif; font-size: 14px; line-height: 18.59000015258789px;\">\u00a0<\/span><\/p>\n<p><span style=\"color: #222222; font-family: Verdana, Arial, sans-serif; font-size: 14px; line-height: 18.59000015258789px;\">\u00a0<\/span><\/p>","protected":false},"excerpt":{"rendered":"<p>Mapa rese\u00f1a de\u00a0Beatriz Andrade Losada rese\u00f1a de\u00a0Eddy B\u00e1ez rese\u00f1a de Cinema.Niemeyer review by Jonathan Holland rese\u00f1a de Manuel Broull\u00f3n Cuevas, Efr\u00e9n. \u00abEl cine autobiogr\u00e1fico en Espa\u00f1a: Una panor\u00e1mica.\u00bb\u00a0RILCE\u00a028, no. 1 (2012): 106-125,335-336. Web. 9 Jan. 2016. Fern\u00e1ndez Labayen, Miguel, Josetxo Cerd\u00e1n Los Arcos, and Elena Oroz. \u00abEl caso de \u00abMapa\u00bb (El\u00edas Le\u00f3n Siminiani, 2012): Producci\u00f3n [&hellip;]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"site-container-style":"default","site-container-layout":"default","site-sidebar-layout":"default","disable-article-header":"default","disable-site-header":"default","disable-site-footer":"default","disable-content-area-spacing":"default"},"acf":[],"_links":{"self":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/pages\/296"}],"collection":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/comments?post=296"}],"version-history":[{"count":1,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/pages\/296\/revisions"}],"predecessor-version":[{"id":8804,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/pages\/296\/revisions\/8804"}],"wp:attachment":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/media?parent=296"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}