{"id":3373,"date":"2015-08-25T15:25:23","date_gmt":"2015-08-25T20:25:23","guid":{"rendered":"https:\/\/21stcenturyartivism.sites.carleton.edu\/?page_id=3373"},"modified":"2023-03-15T18:05:39","modified_gmt":"2023-03-15T18:05:39","slug":"xacio-bano-original-works","status":"publish","type":"page","link":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/xacio-bano-original-works\/","title":{"rendered":"Xacio Ba\u00f1o &#8211; original works"},"content":{"rendered":"<h3 style=\"text-align: center;\">Cortometraje &#8211; Short<\/h3>\n<h5 style=\"text-align: center;\"><a href=\"http:\/\/rebordelos.com\/?p=13\" target=\"_blank\" rel=\"noopener noreferrer\">\u00abRelaci\u00f3n de acordes\u00bb \/\u00a0<em>Chords Relationship<\/em><\/a>, Spain, 2009, 10&#8242;<\/h5>\n<h5 style=\"text-align: center;\"><a href=\"http:\/\/rebordelos.com\/?p=21\" target=\"_blank\" rel=\"noopener noreferrer\">\u00abQuentefrio\u00bb \/\u00a0<em>Hotcold<\/em><\/a>, Spain, 2009, 2&#8242;<\/h5>\n<h5 style=\"text-align: center;\"><a href=\"http:\/\/rebordelos.com\/?p=4\" target=\"_blank\" rel=\"noopener noreferrer\">\u00abEstereoscop\u00eda\u00bb \/ <em>Stereoscopy<\/em><\/a>, Spain, 2011, 12&#8242;<\/h5>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/28943944\" width=\"500\" height=\"197\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: center;\">Emilio vive solo,\u00a0refugiado en el anonimato de la urbe.\u00a0Un d\u00eda al ir a trabajar lo atropellan\u00a0y pierde la visi\u00f3n del ojo izquierdo.\u00a0Los m\u00e9dicos le trasplantan el ojo de\u00a0otra persona, y comienza a ver\u00a0la vida del donante. (<a href=\"http:\/\/estereoscopia.rebordelos.com\" target=\"_blank\" rel=\"noopener noreferrer\">Source<\/a>)<\/p>\n<p style=\"text-align: center;\">Emilio lives on his own taking refuge in the anonimity of the city.\u00a0One day on his way to work he is knocked down and he loses sight in\u00a0his left eye.\u00a0The doctors transplant the eye of another person and he starts to see his donor&#8217;s life.\u00a0(<a href=\"http:\/\/estereoscopia.rebordelos.com\" target=\"_blank\" rel=\"noopener noreferrer\">Source<\/a>)<\/p>\n<h5 style=\"text-align: center;\"><a href=\"http:\/\/anacos.rebordelos.com\" target=\"_blank\" rel=\"noopener noreferrer\">\u00abAnacos\u00bb \/ \u00abPedazos\u00bb \/ <em>Pieces<\/em><\/a>, Spain, 2012, 6&#8242;<\/h5>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/40650073?byline=0&amp;portrait=0\" width=\"500\" height=\"281\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: center;\">La vida de una persona puede ser tan simple y sencilla como su receta de bizcocho. \u00a0(<a href=\"http:\/\/anacos.rebordelos.com\/synopsis\/\" target=\"_blank\" rel=\"noopener noreferrer\">Source<\/a>)<\/p>\n<p style=\"text-align: center;\">The life of a person can be as easy and straightforward as his recipe for sponge cake.\u00a0(<a href=\"http:\/\/anacos.rebordelos.com\/synopsis\/\" target=\"_blank\" rel=\"noopener noreferrer\">Source<\/a>)<\/p>\n<h5 style=\"text-align: center;\"><a href=\"http:\/\/rebordelos.com\/?p=132\" target=\"_blank\" rel=\"noopener noreferrer\">\u00abEntre el rel\u00e1mpago y el trueno\u00bb<\/a><\/h5>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/70773084?title=0&amp;byline=0&amp;portrait=0\" width=\"500\" height=\"281\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: center;\">\u00abInterludio. Espacio entre fotogramas.\u00a0Durante el \u00faltimo a\u00f1o estuve acompa\u00f1ando a Anacos en su recorrido por festivales. Al terminar y hacer inventario: unos cuantos v\u00eddeos sin un prop\u00f3sito claro y varias fotos de ventanas.\u00a0Sobre el tiempo entre obra y obra. Sobre la b\u00fasqueda de la idea. Sobre el miedo a que no sea la ideal.\u00a0Espero que la pieza sirva para quitar ese miedo.\u00bb &#8211; Xacio Ba\u00f1o (<a href=\"https:\/\/vimeo.com\/70773084\" target=\"_blank\" rel=\"noopener noreferrer\">Source<\/a>)<\/p>\n<p style=\"text-align: center;\">\u00abBetween lightning and thunder.\u00a0During the last year I have accompanied Anacos (my previous short film) in festivals. When I finished: a few videos without a clear purpose and several pictures of windows.\u00a0About the time between film and film. About finding the idea. About the fear.\u00a0I hope this work will remove that fear.\u00bb\u00a0&#8211; Xacio Ba\u00f1o (<a href=\"https:\/\/vimeo.com\/70773084\" target=\"_blank\" rel=\"noopener noreferrer\">Source<\/a>)<\/p>\n<h5 style=\"text-align: center;\">\u00abAi Capit\u00e1n\u00bb Spain, 2014, 4&#8242;<\/h5>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/cCtCP16SlQU\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: center;\">Cortometraje para el Proxecto NIMBOS del blog Acto de Primavera, serie de films inspirados en los poemas del libro\u00a0<i>Nimbos<\/i>\u00a0de Xos\u00e9 Mar\u00eda D\u00edaz Castro, autor homenajeado en el D\u00eda das Letras Galegas 2014. Las olas que rompen en las pe\u00f1as y en el casco de un barco naufragado hablan aqu\u00ed del poema \u201cAi Capit\u00e1n\u201d: \u201cChorar, chorar, \/ como sempre choraron as mulleres, \/ ai capit\u00e1n, con barcos ou sin eles!\u201d. (<a href=\"http:\/\/www.s8cinema.com\/portal\/programacion\/sinais\/xacio-bano\/\" target=\"_blank\" rel=\"noopener noreferrer\">Source<\/a>)<\/p>\n<p style=\"text-align: center;\">A short film for the\u00a0Proxecto NIMBOS, a project of the blog Acto de Primavera, a series of films inspired by poems from\u00a0Xos\u00e9 Mar\u00eda D\u00edaz Castro&#8217;s book\u00a0<em>Nimbos<\/em>.<em>\u00a0<\/em>Castro was\u00a0honored in D\u00eda das Letras Galegas 2014 (Galician Literature Day). In this short film\u00a0we hear\u00a0the waves that cash on the rocks and into the hull of a shipwrecked boat in the poem \u00abAi Capit\u00e1n\u00bb: \u201cChorar, chorar, \/ como sempre choraron as mulleres, \/ ai capit\u00e1n, con barcos ous sen eles!\u201d [Cry, cry, as women have always cried, oh captain, with boats ou without them!\u201d].\u00a0(<a href=\"http:\/\/www.s8cinema.com\/portal\/programacion\/sinais\/xacio-bano\/\" target=\"_blank\" rel=\"noopener noreferrer\">Source<\/a>)<\/p>\n<h5 style=\"text-align: center;\"><a href=\"http:\/\/serevoltar.rebordelos.com\" target=\"_blank\" rel=\"noopener noreferrer\">\u00abSer e voltar\u00bb \/ \u00abSer y volver\u00bb \/ <em>To Be and to Come Back<\/em><\/a>,\u00a0Spain, 2014, 13&#8242;<\/h5>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/100878776\" width=\"500\" height=\"281\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: center;\">Un joven (?) cineasta pasa un fin de semana a casa de sus abuelos para hacerles un v\u00eddeo-retrato. De eso trata el Cine, \u00bfno? (<a href=\"http:\/\/serevoltar.rebordelos.com\" target=\"_blank\" rel=\"noopener noreferrer\">Source<\/a>)<\/p>\n<p style=\"text-align: center;\">A young (?) filmmaker comes back to his grandparents&#8217; house to make them a video-portrait. That&#8217;s what cinema is about, isn&#8217;t it?\u00a0(<a href=\"http:\/\/serevoltar.rebordelos.com\" target=\"_blank\" rel=\"noopener noreferrer\">Source<\/a>)<\/p>\n<h5 style=\"text-align: center;\">\u00abSolpor\u00bb, Spain, 2014, 4&#8242;<\/h5>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/fWBKXp9oGHQ\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p class=\"p1\" style=\"text-align: center;\">Pieza que nace del Chanfaina Lab, encuentro de cineastas gallegos en San Sadurni\u00f1o, sobre \u201cun director en la b\u00fasqueda de su unicornio, del momento revelador del rayo verde. Y la tarde termina, y el sol cae\u201d. Film construido en parte por fotos de archivo, y en parte por filmaciones de campo de Ba\u00f1o tras la pista de su simb\u00f3lico ciervo-unicornio. (<a href=\"http:\/\/www.s8cinema.com\/portal\/programacion\/sinais\/xacio-bano\/\" target=\"_blank\" rel=\"noopener noreferrer\">Source<\/a>)<\/p>\n<p class=\"p1\" style=\"text-align: center;\">This piece was born at the Chanfaina Lab, a meeting place for Galician filmmakers in San Sadurni\u00f1o. It is about a director in search of his\u00a0unicorn and the revealing moment of the green ray. Then the\u00a0evening ends and the sun sets. It is a film built both from\u00a0archival\u00a0photos and Ba\u00f1o&#8217;s shooting on his\u00a0search for the\u00a0deer-unicorn.\u00a0(<a href=\"http:\/\/www.s8cinema.com\/portal\/programacion\/sinais\/xacio-bano\/\" target=\"_blank\" rel=\"noopener noreferrer\">Source<\/a>)<\/p>\n<h5 style=\"text-align: center;\"><a href=\"http:\/\/eco.rebordelos.com\" target=\"_blank\" rel=\"noopener noreferrer\">\u00abEco\u00bb \/ <em>Echo<\/em><\/a>, Spain, 2015, 20&#8242;<\/h5>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/134758709\" width=\"500\" height=\"281\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: center;\">A Eco le quitaron la voz y la condenaron a repetir lo que dec\u00edan los dem\u00e1s.\u00a0Anulada, decide refugiarse en una cueva y alejarse del trato humano. (<a href=\"http:\/\/eco.rebordelos.com\" target=\"_blank\" rel=\"noopener noreferrer\">Source<\/a>)<\/p>\n<p style=\"text-align: center;\">Echo\u2019s voice was stolen and she was sentenced to repeat what everyone else said.\u00a0Trapped, she decides to take shelter in a cave and to distance herself from human touch.\u00a0(<a href=\"http:\/\/eco.rebordelos.com\" target=\"_blank\" rel=\"noopener noreferrer\">Source<\/a>)<\/p>\n<p style=\"text-align: right;\"><a href=\"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/audiovisual-creation\/xacio-bano\/\">\u2b05\ufe0e Back to Xacio Ba\u00f1o&#8217;s\u00a0Biography<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Cortometraje &#8211; Short \u00abRelaci\u00f3n de acordes\u00bb \/\u00a0Chords Relationship, Spain, 2009, 10&#8242; \u00abQuentefrio\u00bb \/\u00a0Hotcold, Spain, 2009, 2&#8242; \u00abEstereoscop\u00eda\u00bb \/ Stereoscopy, Spain, 2011, 12&#8242; Emilio vive solo,\u00a0refugiado en el anonimato de la urbe.\u00a0Un d\u00eda al ir a trabajar lo atropellan\u00a0y pierde la visi\u00f3n del ojo izquierdo.\u00a0Los m\u00e9dicos le trasplantan el ojo de\u00a0otra persona, y comienza a ver\u00a0la [&hellip;]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"site-container-style":"default","site-container-layout":"default","site-sidebar-layout":"default","disable-article-header":"default","disable-site-header":"default","disable-site-footer":"default","disable-content-area-spacing":"default"},"acf":[],"_links":{"self":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/pages\/3373"}],"collection":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/comments?post=3373"}],"version-history":[{"count":1,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/pages\/3373\/revisions"}],"predecessor-version":[{"id":9244,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/pages\/3373\/revisions\/9244"}],"wp:attachment":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/media?parent=3373"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}