{"id":595,"date":"2015-01-19T21:40:17","date_gmt":"2015-01-20T03:40:17","guid":{"rendered":"https:\/\/21stcenturyartivism.sites.carleton.edu\/?page_id=595"},"modified":"2023-03-15T18:05:36","modified_gmt":"2023-03-15T18:05:36","slug":"isaki-lacuesta-bibliography","status":"publish","type":"page","link":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/isaki-lacuesta-bibliography\/","title":{"rendered":"Isaki Lacuesta &#8211; Bibliography"},"content":{"rendered":"<h3>\u00bb La noche que no acaba\u00bb<\/h3>\n<ul>\n<li><a href=\"http:\/\/anonimaveneciana.blogspot.com\/2015\/05\/la-noche-que-no-acaba-de-isaki-lacuesta.html\" target=\"_blank\" rel=\"noopener noreferrer\">rese\u00f1a de\u00a0<span class=\"fn\">Marybel Galaaz<\/span><\/a><\/li>\n<li>S\u00e1ez-Gonz\u00e1lez, Jes\u00fas Miguel. \u00ab<a href=\"http:\/\/www.vivatacademia.net\/index.php\/vivat\/article\/viewFile\/655\/277\" target=\"_blank\" rel=\"noopener noreferrer\">La noche que no acaba (Isaki Lacuesta)<\/a>.\u00bb\u00a0<i>Vivat Academia<\/i>\u00a0116 (2011): 111.\u00a0Web. 14 Dec 2015.<\/li>\n<\/ul>\n<h3>\u00abLos pasos dobles\u00bb<\/h3>\n<ul>\n<li><a href=\"http:\/\/cachecine.blogspot.com\/2013\/09\/critica-de-los-pasos-dobles-de-isaki.html\" target=\"_blank\" rel=\"noopener noreferrer\">rese\u00f1a de\u00a0<span class=\"fn\">Xavier Vidal<\/span><\/a><\/li>\n<li>S\u00e1ez-Gonz\u00e1lez, Jes\u00fas Miguel. \u00ab<a href=\"http:\/\/vivatacademia.net\/index.php\/vivat\/article\/viewFile\/633\/255\" target=\"_blank\" rel=\"noopener noreferrer\">Los pasos dobles (Isaki Lacuesta)<\/a>.\u00bb\u00a0<i>Vivat Academia<\/i>\u00a0117 (2011): 138-140.\u00a0Web. 14 Dec 2015.<\/li>\n<\/ul>\n<h3>\u00abMurieron por encima de sus posibilidades\u00bb<\/h3>\n<ul>\n<li><a href=\"http:\/\/www.abcguionistas.com\/noticias\/articulos\/isaki-lacuesta-escribe-sobre-murieron-por-encima-de-sus-posibilidades.html\" target=\"_blank\" rel=\"noopener noreferrer\">Isaki Lacuesta escribe sobre su pel\u00edcula<\/a><\/li>\n<li><a href=\"http:\/\/cinedivergente.com\/criticas\/largometrajes\/murieron-por-encima-de-sus-posibilidades\" target=\"_blank\" rel=\"noopener noreferrer\">rese\u00f1a de Paula L\u00f3pez Montero<\/a><\/li>\n<\/ul>\n<h3>\u00abLos condenados\u00bb<\/h3>\n<ul>\n<li><a href=\"http:\/\/www.elespectadorimaginario.com\/pages\/mayo-2010\/criticas\/los-condenados.php\" target=\"_blank\" rel=\"noopener noreferrer\">rese\u00f1a de\u00a0Marcela Barbaro<\/a><\/li>\n<li><a href=\"http:\/\/cinedivergente.com\/festivales\/festivales-2014\/prisma-s-xxi\/los-condenados-y-las-acacias\" target=\"_blank\" rel=\"noopener noreferrer\">rese\u00f1a de Bel\u00e9n Sagredo<\/a><\/li>\n<li>S\u00e1ez-Gonz\u00e1lez, Jes\u00fas Miguel. \u00ab<a href=\"http:\/\/www.vivatacademia.net\/index.php\/vivat\/article\/viewFile\/736\/363\" target=\"_blank\" rel=\"noopener noreferrer\">Los condenados (Isaki Lacuesta)<\/a>.\u00bb\u00a0<i>Vivat Academia<\/i>\u00a0109 (2009): 113-114.\u00a0Web. 14 Dec 2015.<\/li>\n<\/ul>\n<h3>\u00abLeyenda del tiempo\u00bb<\/h3>\n<ul>\n<li>Ehrlich, Linda. \u00ab<a href=\"http:\/\/sensesofcinema.com\/2008\/feature-articles\/contemporary-spanish-films\/\" target=\"_blank\" rel=\"noopener noreferrer\">Three Contemporary Spanish Films: Landscape, Recollection, Voice<\/a>.\u00bb\u00a0<i>Senses Of Cinema: An Online Film Journal Devoted To The Serious And Eclectic Discussion Of Cinema<\/i>\u00a046.(2008):\u00a0<i>MLA International Bibliography<\/i>. Web. 30 Nov. 2015.<\/li>\n<li>Estrada, Isabel M.\u00a0<i>El documental cinematogr\u00e1fico y televisivo contempor\u00e1neo: Memoria, sujeto y formaci\u00f3n de la identidad democr\u00e1tica espa\u00f1ola<\/i>. Woodbridge, England: Tamesis, 2013.\u00a0<i>MLA International Bibliography<\/i>. Web. 30 Nov. 2015.<\/li>\n<\/ul>\n<h3>Other<\/h3>\n<ul>\n<li>Broull\u00f3n Lozano, Manuel. \u00ab<a href=\"http:\/\/uvadoc.uva.es\/bitstream\/10324\/3051\/1\/Kawase-Lacuesta.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Correspondencias f\u00edlmicas: La aportaci\u00f3n de los cineastas a los estudios sobre el discurso cinematogr\u00e1fico Kawase-Lacuesta<\/a>.\u00bb (2013). Web. 14 Dec 2015.<\/li>\n<li>Comella, Beatriz, and Linda Ehrlich. \u00ab<a href=\"http:\/\/revistas.ucm.es\/index.php\/ESIM\/article\/view\/30027\" target=\"_blank\" rel=\"noopener noreferrer\">Cine de lo real desde Barcelona: espacio, sonido, sugerencia<\/a>.\u00bb\u00a0<i>Escritura e imagen<\/i>\u00a06 (2010): 213-227. Web. 28 Dec. 2015.<\/li>\n<li>Iglesias,\u00a0Eul\u00e0lia.\u00a0<a href=\"https:\/\/addiehu.ehu.es\/bitstream\/10810\/8203\/1\/Territorios%20y%20Fronteras.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">\u00abVariaciones en torno a un cuerpo: identidad y ausencia en el cine de Isaki Lacuesta\u00bb.\u00a0<i>Territorios y fronteras: experiencias documentales contempor\u00e1neas<\/i>.<\/a> Vanesa\u00a0Fern\u00e1ndez Guerra and Miren Gabantxo Uriagereka, eds.\u00a0Servicio Editorial de la Universidad del Pa\u00eds Vasco\/Euskal Herriko Unibertsitatearen Argitalpen Zerbitzua, 2012. Web. 22 \u00a0Dec. 2015.<\/li>\n<li>Oter, Jorge. <a href=\"https:\/\/addiehu.ehu.es\/bitstream\/10810\/8203\/1\/Territorios%20y%20Fronteras.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">\u00abCine de cerca: Escart\u00edn, Iriarte, Lacuesta y Siminiani\u00bb.\u00a0<i>Territorios y fronteras: experiencias documentales contempor\u00e1neas<\/i>.<\/a> Vanesa\u00a0Fern\u00e1ndez Guerra and Miren Gabantxo Uriagereka, eds.\u00a0Servicio Editorial de la Universidad del Pa\u00eds Vasco\/Euskal Herriko Unibertsitatearen Argitalpen Zerbitzua, 2012. Web. 22 \u00a0Dec. 2015.<\/li>\n<li>Pedro, Gonzalo de, and Elena Oroz. \u00ab<a href=\"http:\/\/s3.amazonaws.com\/academia.edu.documents\/31065790\/CentralizacionDispersion-Oroz-dePedro.pdf?AWSAccessKeyId=AKIAJ56TQJRTWSMTNPEA&amp;Expires=1451337263&amp;Signature=it%2Fpucy2JyKhRxteQZ9lHGW0JG8%3D&amp;response-content-disposition=inline%3B%20filename%3DCentralizacion_y_dispersion._Dos_movimie.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Centralizaci\u00f3n y dispersi\u00f3n.(Dos movimientos para cartografiar la especificidad del documental producido en Catalu\u00f1a durante la \u00faltima d\u00e9cada).<\/a>\u00bb\u00a0<i>Realidad y creaci\u00f3n en el cine de no-ficci\u00f3n (El documental catal\u00e1n contempor\u00e1neo, 1995-2010). Madrid: C\u00e1tedra<\/i>(2010). Web. 28 Dec. 2015.<\/li>\n<li>Peirats Vicent, Blanca. \u00ab<a href=\"http:\/\/hdl.handle.net\/2445\/65782\" target=\"_blank\" rel=\"noopener noreferrer\">Aproximaci\u00f3n a la creaci\u00f3n art\u00edstica contempor\u00e1nea en los dispositivos videogr\u00e1fico y cinematogr\u00e1fico en la obra de Isaki Lacuesta (2002-2014)<\/a>.\u00bb (2015). Web. 28 Dec. 2015.<\/li>\n<\/ul>\n<div style=\"text-align: right;\">\u00a0<a href=\"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/audiovisual-creation\/isaki-lacuesta\/\">\u2b05\ufe0e Back to Isaki Lacuesta&#8217;s\u00a0Biography<\/a><\/div>","protected":false},"excerpt":{"rendered":"<p>\u00bb La noche que no acaba\u00bb rese\u00f1a de\u00a0Marybel Galaaz S\u00e1ez-Gonz\u00e1lez, Jes\u00fas Miguel. \u00abLa noche que no acaba (Isaki Lacuesta).\u00bb\u00a0Vivat Academia\u00a0116 (2011): 111.\u00a0Web. 14 Dec 2015. \u00abLos pasos dobles\u00bb rese\u00f1a de\u00a0Xavier Vidal S\u00e1ez-Gonz\u00e1lez, Jes\u00fas Miguel. \u00abLos pasos dobles (Isaki Lacuesta).\u00bb\u00a0Vivat Academia\u00a0117 (2011): 138-140.\u00a0Web. 14 Dec 2015. \u00abMurieron por encima de sus posibilidades\u00bb Isaki Lacuesta escribe sobre [&hellip;]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"site-container-style":"default","site-container-layout":"default","site-sidebar-layout":"default","disable-article-header":"default","disable-site-header":"default","disable-site-footer":"default","disable-content-area-spacing":"default"},"acf":[],"_links":{"self":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/pages\/595"}],"collection":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/comments?post=595"}],"version-history":[{"count":1,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/pages\/595\/revisions"}],"predecessor-version":[{"id":8949,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/pages\/595\/revisions\/8949"}],"wp:attachment":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/media?parent=595"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}