{"id":605,"date":"2015-01-19T21:42:13","date_gmt":"2015-01-20T03:42:13","guid":{"rendered":"https:\/\/21stcenturyartivism.sites.carleton.edu\/?page_id=605"},"modified":"2023-03-15T18:05:36","modified_gmt":"2023-03-15T18:05:36","slug":"javier-rebollo-bibliography","status":"publish","type":"page","link":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/javier-rebollo-bibliography\/","title":{"rendered":"Javier Rebollo &#8211; Bibliography"},"content":{"rendered":"<h3>\u00abEl muerto y el ser feliz\u00bb \/\u00a0<em>The Dead Man and Being\u00a0Happy<\/em><\/h3>\n<ul>\n<li><a href=\"http:\/\/extracine.com\/2013\/03\/critica-de-el-muerto-y-ser-feliz\" target=\"_blank\" rel=\"noopener noreferrer\">rese\u00f1a de\u00a0Rafael Vidal Sanz<\/a><\/li>\n<li><a href=\"http:\/\/www.tlaxcala-int.org\/article.asp?reference=9037\" target=\"_blank\" rel=\"noopener noreferrer\">rese\u00f1a de Juan Miguel Company-Ram\u00f3n<\/a><\/li>\n<li><a href=\"http:\/\/www.elespectadorimaginario.com\/el-muerto-ser-feliz\/\" target=\"_blank\" rel=\"noopener noreferrer\">rese\u00f1a de\u00a0Joaqu\u00edn Juan Penalva<\/a><\/li>\n<li><a href=\"http:\/\/www.abcguionistas.com\/noticias\/articulos\/javier-rebollo-escribe-sobre-el-muerto-y-ser-feliz.html\" target=\"_blank\" rel=\"noopener noreferrer\">Javier Rebollo escribe sobre la pel\u00edcula<\/a><\/li>\n<\/ul>\n<h3>\u00abLa mujer sin piano\u00bb \/\u00a0<em>Woman Without Piano<\/em><\/h3>\n<ul>\n<li><a href=\"http:\/\/www.haciendocine.com.ar\/node\/40145\" target=\"_blank\" rel=\"noopener noreferrer\">rese\u00f1a de Griselda Soriano<\/a><\/li>\n<li>Grant, Paul Douglas. \u00abThe Topography Of Jeanne Dielman&#8217;s Kitchen\u00bb\u00a0<i>Film International<\/i>\u00a08.4 [46] (2010): 91-95.\u00a0<i>MLA International Bibliography<\/i>. Web. 30 Nov. 2015.\u00a0DOI:\u00a0<a href=\"http:\/\/dx.doi.org\/10.1386\/fiin.8.4.91\">http:\/\/dx.doi.org\/10.1386\/fiin.8.4.91<\/a><\/li>\n<\/ul>\n<h3>\u00a0Other<\/h3>\n<ul>\n<li><a href=\"http:\/\/www.blogdecine.com\/directores\/javier-rebollo-el-salvador-del-cine-mundial\" target=\"_blank\" rel=\"noopener noreferrer\">Javier Rebollo, el salvador del cine mundial<\/a> (marzo 2012)<\/li>\n<li>L\u00f3pez Garc\u00eda, Raquel. \u00abCarmen Machi:\u00bb En el cine de Javier Rebollo el actor es un elemento m\u00e1s\u00bb.\u00bb\u00a0<i>Interfilms<\/i>\u00a0248 (2010): 20-21.<\/li>\n<li>Mayo, Lola. \u00abLa guionista Lola Mayo cuenta c\u00f3mo hizo \u2018lo Que S\u00e9 De Lola\u2019: Mi primera pel\u00edcula.\u00bb <i>El Ciervo<\/i>. 55.669 (2006): 32-33. Print.<\/li>\n<li>Palacio, Manuel, Juan Carlos Iba\u00f1ez, and Lerau Bret. \u00abA new model for Spanish cinema. Authorship and globalization: the films of Javier Rebollo.\u00bb\u00a0<i>Journal of Spanish Cultural Studies<\/i>\u00a016.1 (2015): 29-43.\u00a0DOI:<strong>\u00a0<\/strong>10.1080\/14636204.2015.1042323<\/li>\n<li>Quinto, Manuel. \u00abBook Review: La piel y\u00a0la m\u00e1scara. Entrevistas con actores del cine espa\u00f1ol.\u00bb <i>El Ciervo<\/i>. 58.695 (2009): 43. Print.<\/li>\n<li>Quinto, Manuel. \u00ab\u2018Cahiers\u2019 y el cine del futuro.\u00bb <i>El Ciervo<\/i>. 56 (2007): 38. Print.<\/li>\n<li>Quinto, Manuel. \u00abNuevos directores para el cine espa\u00f1ol.\u00bb <i>El Ciervo<\/i>. 56.671 (2007): 36. Print.<\/li>\n<\/ul>\n<p style=\"text-align: right;\"><a href=\"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/audiovisual-creation\/javier-reboyo-2\/\">\u2b05\ufe0e Back to Javier Rebollo&#8217;s Biography<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>\u00abEl muerto y el ser feliz\u00bb \/\u00a0The Dead Man and Being\u00a0Happy rese\u00f1a de\u00a0Rafael Vidal Sanz rese\u00f1a de Juan Miguel Company-Ram\u00f3n rese\u00f1a de\u00a0Joaqu\u00edn Juan Penalva Javier Rebollo escribe sobre la pel\u00edcula \u00abLa mujer sin piano\u00bb \/\u00a0Woman Without Piano rese\u00f1a de Griselda Soriano Grant, Paul Douglas. \u00abThe Topography Of Jeanne Dielman&#8217;s Kitchen\u00bb\u00a0Film International\u00a08.4 [46] (2010): 91-95.\u00a0MLA International [&hellip;]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"site-container-style":"default","site-container-layout":"default","site-sidebar-layout":"default","disable-article-header":"default","disable-site-header":"default","disable-site-footer":"default","disable-content-area-spacing":"default"},"acf":[],"_links":{"self":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/pages\/605"}],"collection":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/comments?post=605"}],"version-history":[{"count":1,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/pages\/605\/revisions"}],"predecessor-version":[{"id":8961,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/pages\/605\/revisions\/8961"}],"wp:attachment":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/media?parent=605"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}