{"id":816,"date":"2015-04-20T21:01:11","date_gmt":"2015-04-21T02:01:11","guid":{"rendered":"https:\/\/21stcenturyartivism.sites.carleton.edu\/?page_id=816"},"modified":"2023-03-15T18:05:34","modified_gmt":"2023-03-15T18:05:34","slug":"belen-gopegui-original-works","status":"publish","type":"page","link":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/belen-gopegui-original-works\/","title":{"rendered":"Bel\u00e9n Gopegui &#8211; Original Works"},"content":{"rendered":"<h3>Libros &#8211; Books<\/h3>\n<ul>\n<li>\n<h5>Gopegui, Bel\u00e9n.<i> La escala de los mapas.<\/i>\u00a0Barcelona: Anagrama, 1993. Print.<\/h5>\n<\/li>\n<li>\n<h5>Gopegui, Bel\u00e9n.<i>\u00a0Tocarnos la cara.<\/i>\u00a0Barcelona: Anagrama, 1995.\u00a0Print.<\/h5>\n<\/li>\n<li>\n<h5>Gopegui, Bel\u00e9n.<i>\u00a0Cuallad\u00f3: puntos de vista<\/i>.<i>\u00a0<\/i>Barcelona: Anagrama,\u00a01995.\u00a0Print.<\/h5>\n<\/li>\n<li>\n<h5>Gopegui, Bel\u00e9n.<i>\u00a0La conquista del aire.\u00a0Barcelona: Anagrama,<\/i>\u00a01998.\u00a0Print.<\/h5>\n<\/li>\n<li>\n<h5>Gopegui, Bel\u00e9n.<i>\u00a0Lo real.<\/i>\u00a0Barcelona: Anagrama,\u00a02001.\u00a0Print.<\/h5>\n<\/li>\n<li>\n<h5>Gopegui, Bel\u00e9n.<i>\u00a0La suerte dormida.\u00a0<\/i>Barcelona: Anagrama,\u00a02003.\u00a0Print.<\/h5>\n<\/li>\n<li>\n<h5>Gopegui, Bel\u00e9n.<i>\u00a0El principio de Arqu\u00edmedes.\u00a0<\/i>Barcelona: Anagrama, 2004.\u00a0Print.<\/h5>\n<\/li>\n<li>\n<h5>Gopegui, Bel\u00e9n.<i>\u00a0El lado fr\u00edo de la almohada<\/i>. Barcelona: Anagrama, 2004.\u00a0Print.<\/h5>\n<\/li>\n<li>\n<h5>Gopegui, Bel\u00e9n.<i>\u00a0El padre de Blancanieves.\u00a0<\/i>Barcelona: Anagrama,\u00a02007.\u00a0Print.<\/h5>\n<\/li>\n<li>\n<h5>Gopegui, Bel\u00e9n.<i>\u00a0El Balonazo.\u00a0<\/i>Madrid: Ediciones SM,\u00a02008.\u00a0Print.<\/h5>\n<\/li>\n<li>\n<h5>Gopegui, Bel\u00e9n and Luis Ruiz de Gopegui.<em>\u00a0Un pistoletazo en medio de un concierto: acerca de escribir de\u00a0pol\u00edtica en una novela.\u00a0<\/em>Madrid: Editorial Complutense,\u00a02008.\u00a0Print.<\/h5>\n<\/li>\n<li>\n<h5>Gopegui, Bel\u00e9n.<i>\u00a0<a href=\"http:\/\/www.foz.unioeste.br\/mural2009\/arquivos\/belen_gopegui_-_deseo_de_ser_punk.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Deseo de ser punk<\/a>.\u00a0<\/i>Barcelona: Anagrama,\u00a02009.\u00a0Print.<\/h5>\n<\/li>\n<li>\n<h5>Gopegui, Bel\u00e9n.<em>\u00a0El d\u00eda que mam\u00e1 perdi\u00f3 la paciencia.\u00a0<\/em>Madrid: Ediciones SM,\u00a02009.\u00a0Print.<\/h5>\n<\/li>\n<li>\n<h5>Gopegui, Bel\u00e9n.<i>\u00a0Acceso no autorizado.<\/i>\u00a0Barcelona: Literatura Random House, 2011.\u00a0Print.<\/h5>\n<\/li>\n<li>\n<h5>Gopegui, Bel\u00e9n.<em>\u00a0El amigo que surgi\u00f3 de un viejo ordenador<\/em>.\u00a0Bocadilla del Monte, Madrid: Ediciones SM,\u00a02012.\u00a0Print.<\/h5>\n<\/li>\n<li>\n<h5>Gopegui, Bel\u00e9n.<i>\u00a0El comit\u00e9 de la noche.<\/i>\u00a0Barcelona: Literatura Random House, 2014.\u00a0Print.<\/h5>\n<\/li>\n<li>\n<h5>Gopegui, Bel\u00e9n.<em>\u00a0Big Bang: El blog de la verdad extraordinaria.<\/em>\u00a0Bocadilla del Monte, Madrid:\u00a0Ediciones SM,\u00a02014. Print.<\/h5>\n<\/li>\n<li>\n<h5>Gopegui, Bel\u00e9n.<em>\u00a0Rompiendo algo. <\/em>Santiago, Chile:\u00a0Ediciones Universidad Diego Portales,\u00a02014.\u00a0Print.<\/h5>\n<\/li>\n<\/ul>\n<h3>Cuentos &#8211; Short Stories<\/h3>\n<ul>\n<li>\n<h5>Gopegui, Bel\u00e9n.<em>\u00a0En desierta playa<\/em>. Barcelona: Anagrama, 1995.\u00a0Print.<\/h5>\n<\/li>\n<\/ul>\n<h3>Ensayo &#8211; Essay<\/h3>\n<ul>\n<li>\n<h5>\u00ab<a href=\"http:\/\/revista.alcesxxi.org\" target=\"_blank\" rel=\"noopener noreferrer\">Lo que deseamos o\u00edr y lo que tememos encontrar<\/a>\u00bb (p\u00e1g 332-339)<\/h5>\n<\/li>\n<li>\n<h5><a href=\"http:\/\/www.mediavaca.com\/index.php\/en\/colecciones\/libros-para-ninos\/227-ruiz-de-gopegui-luis\" target=\"_blank\" rel=\"noopener noreferrer\">\u00abEl explorador Luis Ruiz de Gopegui\u00bb<\/a><\/h5>\n<\/li>\n<li>\n<h5><a href=\"http:\/\/www.mecd.gob.es\/lectura\/pdf\/319.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">\u00abSobre la fabricaci\u00f3n de modelos de realidad\u00bb<\/a><\/h5>\n<\/li>\n<li>\n<h5>Gopegui, Bel\u00e9n. \u00abContribuci\u00f3n acerca del sentido de La conquista del aire.\u00bb\u00a0<i>Oj\u00e1ncano: Revista de literatura espa\u00f1ola<\/i>\u00a016.(1999): 86-89.\u00a0<i>MLA International Bibliography<\/i>. Web. 30 Nov. 2015.<\/h5>\n<\/li>\n<li>\n<h5>Gopegui, Bel\u00e9n. \u00ab<a href=\"http:\/\/www.cervantesvirtual.com\/nd\/ark:\/59851\/bmc73780\" target=\"_blank\" rel=\"noopener noreferrer\">Los para qu\u00e9 del conocimiento cient\u00edfico y literario y la biotecnolog\u00eda cubana<\/a>.\u00bb\u00a0<i>Cuadernos hispanoamericanos<\/i>\u00a0681.(2007): 35-42.\u00a0<i>MLA International Bibliography<\/i>. Web. 30 Nov. 2015.<\/h5>\n<\/li>\n<li>\n<h5>Gopegui, Bel\u00e9n. \u00ab<a href=\"http:\/\/www.revistaminerva.com\/articulo.php?id=533\" target=\"_blank\" rel=\"noopener noreferrer\">Lenguaje y poder: el agente doble de nuestro descontento<\/a>.\u00bb\u00a0<i>Minerva: Revista del C\u00edrculo de Bellas Artes<\/i>\u00a020 (2012): 27-33. Web. 24 Dec. 2015.<\/h5>\n<\/li>\n<li>\n<h5>Gopegui, Bel\u00e9n, et al. \u00abMesa redonda: Creaci\u00f3n art\u00edstica y posmodernidad.\u00bb\u00a0<i>Postmodernit\u00e9 et \u00e9criture narrative dans l&#8217;Espagne contemporaine<\/i>. 321-346. Grenoble, France: Universit\u00e9 Stendhal, 1996.\u00a0<i>MLA International Bibliography<\/i>. Web. 30 Nov. 2015.<\/h5>\n<\/li>\n<li>\n<h5>Gopegui, Bel\u00e9n. \u00abPo\u00e9tica y pol\u00edtica.\u00bb\u00a0<i>G\u00e9nero y g\u00e9neros I: Escritura y escritoras iberoamericanas<\/i>. 41-47. Madrid, Spain: Universidad Aut\u00f3noma de Madrid, 2006.\u00a0<i>MLA International Bibliography<\/i>. Web. 30 Nov. 2015.<\/h5>\n<\/li>\n<li>\n<h5>Gopegui, Bel\u00e9n. \u201cTres condiciones necesarias, aunque no suficientes, para una literatura de izquier- das\u201d. Contornos de la narrativa espa\u00f1ola actual (2000\u20132010). Un di\u00e1logo entre creadores y cr\u00edticos.\u00a0Ed. Palmar \u00c1lvarez-Blanco y Antonio Dorca. Madrid: Iberoamericana; Frankfurt: Vervuert, 2010.\u00a0279\u2013282. Print.<\/h5>\n<\/li>\n<li>\n<h5>Gopegui, Bel\u00e9n. \u00abUn caballo al pie de la ventana.\u00bb\u00a0<i>Carmen Mart\u00edn Gaite: Cuento de nunca acabar\/Never-Ending Story<\/i>. 9-12. Boulder, CO: Society of Spanish and Spanish-American Studies, 2003.\u00a0<i>MLA International Bibliography<\/i>. Web. 30 Nov. 2015.<\/h5>\n<\/li>\n<li>\n<h5>Gopegui, Bel\u00e9n. \u00abUn caballo al pie de la ventana de Carmen Mart\u00edn Gaite.\u00bb\u00a0<i>Insula: Revista de letras y ciencias humanas<\/i>\u00a0769-770.(2011): 45-46.\u00a0<i>MLA International Bibliography<\/i>. Web. 30 Nov. 2015.<\/h5>\n<\/li>\n<li>\n<h5>Womack, Marian, Jennifer Wood, and Bel\u00e9n Gopegui.\u00a0<i>Beyond The Back Room: New Perspectives On Carmen Mart\u00edn Gaite<\/i>. New York, NY: Peter Lang, 2011.\u00a0<i>MLA International Bibliography<\/i>. Web. 30 Nov. 2015.<\/h5>\n<\/li>\n<\/ul>\n<h3>Art\u00edculos &#8211; Articles<\/h3>\n<ul>\n<li>\n<h5><a href=\"http:\/\/www.rebelion.org\/autores.php?id=68\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.rebelion.org\/autores.php?id=68<\/a>\u00a0(from 2004-present)<\/h5>\n<\/li>\n<li>\n<h5><a href=\"http:\/\/biblioweb.sindominio.net\/pensamiento\/gopegui.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/biblioweb.sindominio.net\/pensamiento\/gopegui.pdf<\/a><\/h5>\n<\/li>\n<\/ul>\n<h3>Cine &#8211; Film<\/h3>\n<ul>\n<li>\n<h5>La suerte dormida (2003) Co-writer.<\/h5>\n<\/li>\n<li>\n<h5>El principio de\u00a0Arqu\u00edmedes (2004) Writer.<\/h5>\n<\/li>\n<li>\n<h5>Una mujer invisible (2007) Writer.<\/h5>\n<\/li>\n<\/ul>\n<p style=\"text-align: right;\"><a href=\"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/essay\/belen-gopegui\/\">\u2b05\ufe0e Back to Bel\u00e9n Gopegui&#8217;s\u00a0Biography<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Libros &#8211; Books Gopegui, Bel\u00e9n. La escala de los mapas.\u00a0Barcelona: Anagrama, 1993. Print. Gopegui, Bel\u00e9n.\u00a0Tocarnos la cara.\u00a0Barcelona: Anagrama, 1995.\u00a0Print. Gopegui, Bel\u00e9n.\u00a0Cuallad\u00f3: puntos de vista.\u00a0Barcelona: Anagrama,\u00a01995.\u00a0Print. Gopegui, Bel\u00e9n.\u00a0La conquista del aire.\u00a0Barcelona: Anagrama,\u00a01998.\u00a0Print. Gopegui, Bel\u00e9n.\u00a0Lo real.\u00a0Barcelona: Anagrama,\u00a02001.\u00a0Print. Gopegui, Bel\u00e9n.\u00a0La suerte dormida.\u00a0Barcelona: Anagrama,\u00a02003.\u00a0Print. Gopegui, Bel\u00e9n.\u00a0El principio de Arqu\u00edmedes.\u00a0Barcelona: Anagrama, 2004.\u00a0Print. Gopegui, Bel\u00e9n.\u00a0El lado fr\u00edo de la almohada. Barcelona: [&hellip;]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"site-container-style":"default","site-container-layout":"default","site-sidebar-layout":"default","disable-article-header":"default","disable-site-header":"default","disable-site-footer":"default","disable-content-area-spacing":"default"},"acf":[],"_links":{"self":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/pages\/816"}],"collection":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/comments?post=816"}],"version-history":[{"count":2,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/pages\/816\/revisions"}],"predecessor-version":[{"id":8618,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/pages\/816\/revisions\/8618"}],"wp:attachment":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/media?parent=816"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}