{"id":126,"date":"2014-08-01T11:08:31","date_gmt":"2014-08-01T16:08:31","guid":{"rendered":"https:\/\/21stcenturyartivism.sites.carleton.edu\/?p=126"},"modified":"2023-03-15T18:07:20","modified_gmt":"2023-03-15T18:07:20","slug":"cecilia-barriga","status":"publish","type":"post","link":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/audiovisual-creation\/cecilia-barriga\/","title":{"rendered":"Cecilia Barriga"},"content":{"rendered":"<p><strong>Cecilia Barriga<\/strong>\u00a0nace en Concepci\u00f3n, Chile. En 1977, se traslada a Madrid donde realiza estudios de cine y televisi\u00f3n en la Universidad Complutense. Ha residido en Nueva York, La Habana, Berl\u00edn, Zurich y Concepci\u00f3n. Desde hace m\u00e1s de 30 a\u00f1os que trabaja en la creaci\u00f3n audiovisual utilizando diversos formatos y g\u00e9neros como el cine de ficci\u00f3n y documental, el video arte experimental y la performance en colaboraci\u00f3n con otras artistas. Sus trabajos se han exhibido internacionalmente en museos de arte contempor\u00e1neos, televisi\u00f3n, festivales y salas de cine.<\/p>\n<p>Obras destacadas: Encuentro entre dos reinas (1991), video experimental. La herida de mi ojo (1994), documental de creaci\u00f3n. Time\u2019s up! (2000) largometraje de ficci\u00f3n. El camino de Moises (2003), documental para televisi\u00f3n. En el r\u00edo (2007) y El d\u00eda del euro (2008), video creaci\u00f3n. El esqueleto tatuado (2010), video performance. Granada, 30 a\u00f1os despu\u00e9s (2010), documental. Casa de red (2011), video creaci\u00f3n.<\/p>\n<p><a href=\"https:\/\/www.hamacaonline.net\/authors\/cecilia-barriga\/\">Consulta parte de la obra de Cecilia Barriga<\/a><\/p>\n<hr \/>\n<p><strong>Cecilia Barriga<\/strong> was born in Concepci\u00f3n, Chile. In 1977, she moved to Madrid, Spain where she began her studies in film and television at\u00a0the<em>\u00a0Universidad Compultense.<\/em>\u00a0She has lived in New York, Habana, Berlin, Zurich and Concepci\u00f3n. For more than 30 years,\u00a0she has worked in the creative\u00a0audiovisual field, employing\u00a0diverse\u00a0visual formats and genres such as feature film, documentary, experimental video art, and performance in collaboration with other artists. Her works have been shown internationally in contemporary art museums, on television, at festivals and in movie theaters.<\/p>\n<p>Her most\u00a0important works include: <em>Meeting Two Queens<\/em>\u00a0(1991), an\u00a0experimental piece; <em>La herida de mi ojo<\/em> (1994), a creative documentary;\u00a0<em>Time&#8217;s Up<\/em> (2000), a feature film;\u00a0<em>El camino de Moises<\/em> (2003), a television documentary. <em>En el r\u00edo<\/em> (2007) and <em>El d\u00eda del euro<\/em> (2008),\u00a0both videoart. <em>El esqueleto tatuado<\/em> (2010), video performance. <em>Granada, 30 a\u00f1os despu\u00e9s<\/em> (2010), documentary. <em>Casa de red<\/em> (2011), videoart.<\/p>\n<p><a href=\"https:\/\/www.hamacaonline.net\/authors\/cecilia-barriga\/\"><strong>Check out some of Cecilia Barriga&#8217;s work<\/strong><\/a><\/p>\n<p style=\"text-align: right;\">Source:\u00a0<a href=\"http:\/\/tresinstantesungritopelicula.com\/?page_id=13\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/tresinstantesungritopelicula.com\/?page_id=13<\/a><\/p>\n<h2 style=\"text-align: left;\">Other Resources<\/h2>\n<ul>\n<li><strong><strong><a href=\"http:\/\/www.imdb.com\/name\/nm0057441\/?ref_=fn_al_nm_1\" target=\"_blank\" rel=\"noopener noreferrer\">IMDB<\/a><\/strong><\/strong><\/li>\n<li><strong><strong><a href=\"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/barriga-other-work\/\">Original Works<\/a><\/strong><\/strong><\/li>\n<li><strong><a title=\"Interviews with Cecilia Barriga\" href=\"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/interviews-with-cecilia-barriga\/\">Interviews<\/a><\/strong><\/li>\n<li><a title=\"Cecilia Barriga \u2013 workshop @ Carleton\" href=\"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/cecilia-barriga-workshop-carleton\/\"><strong>Workshop @ Carleton<\/strong><\/a><\/li>\n<li><strong><a href=\"http:\/\/vimeo.com\/user11409274\" target=\"_blank\" rel=\"noopener noreferrer\">Vimeo<\/a><\/strong><\/li>\n<li><strong><a title=\"Cecilia Barriga Bibliography\" href=\"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/cecilia-barriga-bibliography\/\">Bibliography<\/a><\/strong><\/li>\n<li><a href=\"https:\/\/21stcenturyartivism.sites.carleton.edu\/wp-content\/uploads\/2014\/08\/CeciliaBarriga_CV.pdf\"><strong>CeciliaBarriga_CV<\/strong><\/a><\/li>\n<\/ul>\n<p style=\"text-align: right;\"><a href=\"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/\">\u2b05\ufe0e Back to Home<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Cecilia Barriga\u00a0nace en Concepci\u00f3n, Chile. En 1977, se traslada a Madrid donde realiza estudios de cine y televisi\u00f3n en la Universidad Complutense. Ha residido en Nueva York, La Habana, Berl\u00edn, Zurich y Concepci\u00f3n. Desde hace m\u00e1s de 30 a\u00f1os que trabaja en la creaci\u00f3n audiovisual utilizando diversos formatos y g\u00e9neros como el cine de ficci\u00f3n [&hellip;]<\/p>","protected":false},"author":1,"featured_media":379,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-container-style":"default","site-container-layout":"default","site-sidebar-layout":"default","disable-article-header":"default","disable-site-header":"default","disable-site-footer":"default","disable-content-area-spacing":"default"},"categories":[2],"tags":[17],"acf":[],"_links":{"self":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/posts\/126"}],"collection":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/comments?post=126"}],"version-history":[{"count":3,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/posts\/126\/revisions"}],"predecessor-version":[{"id":9280,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/posts\/126\/revisions\/9280"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/media\/379"}],"wp:attachment":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/media?parent=126"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/categories?post=126"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/tags?post=126"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}