{"id":2716,"date":"2015-07-30T12:02:09","date_gmt":"2015-07-30T17:02:09","guid":{"rendered":"https:\/\/21stcenturyartivism.sites.carleton.edu\/?p=2716"},"modified":"2023-03-15T18:07:18","modified_gmt":"2023-03-15T18:07:18","slug":"mercedes-cebrian","status":"publish","type":"post","link":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/fictional-works\/mercedes-cebrian\/","title":{"rendered":"Mercedes Cebri\u00e1n"},"content":{"rendered":"<p><strong>Mercedes Cebri\u00e1n<\/strong> (Madrid, 1971) ha publicado los libros\u00a0<em>Oremos por nuestros pasaportes (Antolog\u00eda)<\/em>\u00a0(Mondadori Argentina, 2012),\u00a0<em>La nueva taxidermia<\/em>\u00a0(Mondadori, 2011),\u00a0<em>El\u00a0malestar al alcance de todos<\/em>,\u00a0\u00a0<em>Mercado Com\u00fan<\/em>\u00a0(ambos en Caballo de Troya, 2004 y 2006),\u00a0<em>13 viajes in vitro\u00a0<\/em>(Blur Ediciones, 2008) y\u00a0<em>Cul-de-sac<\/em>\u00a0(Alpha Decay, 2009). Sus relatos, poemas y ensayos han aparecido en\u00a0<em>Revista de Occidente<\/em>,\u00a0<em>Letras Libres<\/em>,\u00a0<em>E\u00f1e-revista para leer<\/em>,\u00a0<em>Gatopardo<\/em>,\u00a0<em>Diario de Poes\u00eda, Quimera<\/em>\u00a0o\u00a0<em>Circumference\u00a0<\/em>(Universidad de\u00a0Columbia), y en antolog\u00edas como\u00a0<em>Mutantes<\/em>\u00a0(Berenice, 2005),\u00a0<em>El\u00a0arquero inm\u00f3vil<\/em>\u00a0(P\u00e1ginas de Espuma, 2006),\u00a0<em>La Espa\u00f1a que te cuento<\/em>\u00a0(Funambulista, 2008), \u00a0<em>Peque\u00f1as\u00a0resistencias 5<\/em>\u00a0(P\u00e1ginas de Espuma, 2010) y\u00a0<em>Mi madre es un pez\u00a0<\/em>(Libros del silencio, 2011). Ha coordinado y participado en el libro colectivo de textos sobre barrios de Madrid titulado\u00a0<em>Madrid, con perd\u00f3n<\/em>\u00a0(Caballo de Troya, 2012).\u00a0Ha sido columnista del diario\u00a0<em>P\u00fablico<\/em>\u00a0y colabora asiduamente\u00a0conlos suplementos\u00a0<em>El Viajero\u00a0<\/em>de\u00a0<em>El Pa\u00eds<\/em>\u00a0y\u00a0<em>Cultura\/s<\/em>\u00a0de\u00a0<em>La Vanguardia<\/em>. Asimismo, ha traducido al castellano a Georges Perec, Alan Sillitoe, Miranda July y Alain de Botton. Su versi\u00f3n de\u00a0<em>Lo infraordinario\u00a0<\/em>de\u00a0Perec recibi\u00f3 en 2008 el premio Mots Passants de la Universitat de Barcelona a la mejor traducci\u00f3n del franc\u00e9s.\u00a0Ha sido becaria de literatura en la Residencia de Estudiantes de Madrid (2002-2004) y en la Academia de Espa\u00f1a en Roma (2006-2007), as\u00ed como escritora residente en\u00a0el\u00a0Civitella Ranieri Center, en\u00a0la\u00a0Ledig House International Writers Residency en la Fundaci\u00f3n Valpara\u00edso de Moj\u00e1car y en la Fundaci\u00f3n Santa Maddalena.<\/p>\n<hr \/>\n<p><strong>Mercedes Cebri\u00e1n<\/strong> was born in Madrid. She writes fiction, journalistic essays and poetry, and translates from English and French to\u00a0Spanish. Her writing has been published in newspapers such as <em>El Pa\u00eds<\/em> and <em>La Vanguardia<\/em>; and in journals and magazines such as \u201cDiario de Poes\u00eda\u201d (Buenos Aires), \u201cThe Massachussetts Review\u201d, \u201cRevista de Occidente\u201d and \u201cGatopardo.\u201d Her literary universe explores, among other aspects of reality, the emotional ties that humans develop with objects. She has been a writing fellow at the <em>Residencia de Estudiantes<\/em> in\u00a0Madrid and the\u00a0Spanish Academy\u00a0in Rome, and a writer in residence in the Civitella Ranieri Foundation (Italy) and the Fondazione Santa Maddalena (Italy), among others. She holds an MA in Spanish Cultural Studies from\u00a0Birkbeck (University of London). She is currently pursuing a PhD in Hispanic Studies at the University of Pennsylvania. Her novel <em>El genuino sabor<\/em> will be published in June 2014 by Penguin-Random House Spain.<\/p>\n<p style=\"text-align: right;\">Source: <a href=\"http:\/\/www.mercedescebrian.com\/biografia\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.mercedescebrian.com\/biografia\/<\/a><\/p>\n<h2 style=\"text-align: left;\">Other Resources<\/h2>\n<ul>\n<li><strong><strong><a href=\"http:\/\/www.mercedescebrian.com\" target=\"_blank\" rel=\"noopener noreferrer\">Official Website<\/a>\u00a0<\/strong><\/strong><\/li>\n<li><strong><strong><a title=\"Mercedes Cebri\u00e1n \u2013 Original works\" href=\"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/mercedes-cebrian-original-works\/\">Original Works<\/a>\u00a0<\/strong><\/strong><\/li>\n<li><strong><a title=\"Mercedes Cebri\u00e1n \u2013 Interviews\" href=\"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/mercedes-cebrian-interviews\/\">Interviews<\/a><\/strong><\/li>\n<li><strong><strong><a href=\"https:\/\/es-la.facebook.com\/mercedes.cebrian.16\" target=\"_blank\" rel=\"noopener noreferrer\">Facebook<\/a>\u00a0<\/strong><\/strong><\/li>\n<li><a href=\"https:\/\/twitter.com\/mercedescebrian\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Twitter<\/strong><\/a><\/li>\n<li><a title=\"Mercedes Cebri\u00e1n \u2013 bibliography\" href=\"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/mercedes-cebrian-bibliography\/\"><strong>Bibliography<\/strong><\/a><\/li>\n<\/ul>\n<p style=\"text-align: right;\"><a href=\"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/\">\u2b05\ufe0e Back to Home<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Mercedes Cebri\u00e1n (Madrid, 1971) ha publicado los libros\u00a0Oremos por nuestros pasaportes (Antolog\u00eda)\u00a0(Mondadori Argentina, 2012),\u00a0La nueva taxidermia\u00a0(Mondadori, 2011),\u00a0El\u00a0malestar al alcance de todos,\u00a0\u00a0Mercado Com\u00fan\u00a0(ambos en Caballo de Troya, 2004 y 2006),\u00a013 viajes in vitro\u00a0(Blur Ediciones, 2008) y\u00a0Cul-de-sac\u00a0(Alpha Decay, 2009). Sus relatos, poemas y ensayos han aparecido en\u00a0Revista de Occidente,\u00a0Letras Libres,\u00a0E\u00f1e-revista para leer,\u00a0Gatopardo,\u00a0Diario de Poes\u00eda, Quimera\u00a0o\u00a0Circumference\u00a0(Universidad de\u00a0Columbia), y [&hellip;]<\/p>","protected":false},"author":1,"featured_media":2717,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-container-style":"default","site-container-layout":"default","site-sidebar-layout":"default","disable-article-header":"default","disable-site-header":"default","disable-site-footer":"default","disable-content-area-spacing":"default"},"categories":[6],"tags":[34],"acf":[],"_links":{"self":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/posts\/2716"}],"collection":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/comments?post=2716"}],"version-history":[{"count":2,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/posts\/2716\/revisions"}],"predecessor-version":[{"id":9052,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/posts\/2716\/revisions\/9052"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/media\/2717"}],"wp:attachment":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/media?parent=2716"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/categories?post=2716"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/tags?post=2716"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}