{"id":466,"date":"2014-12-12T16:49:17","date_gmt":"2014-12-12T22:49:17","guid":{"rendered":"https:\/\/21stcenturyartivism.sites.carleton.edu\/?p=466"},"modified":"2023-03-15T18:07:19","modified_gmt":"2023-03-15T18:07:19","slug":"nayra-sanz","status":"publish","type":"post","link":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/audiovisual-creation\/nayra-sanz\/","title":{"rendered":"Nayra Sanz"},"content":{"rendered":"<p style=\"text-align: left;\">Licenciada en Filolog\u00eda Hisp\u00e1nica, <strong>Nayra Sanz<\/strong> se\u00a0especializ\u00f3 en literatura contempor\u00e1nea en la Universidad Aut\u00f3noma de Madrid. Recibi\u00f3 una beca de la DAAD para realizar parte de su doctorado en\u00a0Filosof\u00eda en la Universidad Humboldt de Berl\u00edn, donde hizo un estudio\u00a0sobre la cineasta Leni Riefenstahl. Con este trabajo le otorgaron otra beca\u00a0para estudiar un Master en Direcci\u00f3n de Cine en la New York Film Academy de\u00a0Nueva York, ciudad donde residi\u00f3 dos a\u00f1os y comenz\u00f3 a colaborar con\u00a0diferentes producciones cinematogr\u00e1ficas. Al regresar a Espa\u00f1a mont\u00f3 con\u00a0su hermano Javier la productora <a href=\"http:\/\/rinocerontefilms.com\" target=\"_blank\" rel=\"noopener noreferrer\">Rinoceronte Films S.L.<\/a>, con la que comenz\u00f3\u00a0a dirigir sus trabajos.<\/p>\n<hr \/>\n<p style=\"text-align: left;\">With a degree in Spanish Language and Literature, <strong>Nayra Sanz<\/strong> specialized in contemporary literature at the Universidad Aut\u00f3noma de Madrid. She received a grant from the DAAD (German Academic Exchange Service) to pursue part of her PhD\u00a0in Philosophy at the Universidad Humboldt in Berlin, where she studied filmmaker\u00a0Leni Riefenstahl. This work earned her\u00a0another grant to get her master&#8217;s in Film Direction at the New York Film Academy, where she lived for two years and began collaborating\u00a0with different cinematographic producers. Upon returning to Spain, she established and managed, along with her brother Javier, the film production company\u00a0<a href=\"http:\/\/rinocerontefilms.com\/en\/\" target=\"_blank\" rel=\"noopener noreferrer\">Rinoceronte Films S.L.<\/a><\/p>\n<p style=\"text-align: right;\">Source:\u00a0<a href=\"http:\/\/docma.es\/sociosdocma\/nayra-sanz-fuentes\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/docma.es\/sociosdocma\/nayra-sanz-fuentes\/<\/a><\/p>\n<h2 style=\"text-align: left;\">Other Resources<\/h2>\n<ul>\n<li><a href=\"http:\/\/rinocerontefilms.com\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Official Website<\/strong><\/a><\/li>\n<li><strong><strong><a href=\"http:\/\/www.imdb.com\/name\/nm2758118\/\" target=\"_blank\" rel=\"noopener noreferrer\">IMDB<\/a><\/strong><\/strong><\/li>\n<li><a title=\"Nayra Sanz \u2013 Original Works\" href=\"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/nayra-sanz-original-works\/\"><strong>Original Works<\/strong><\/a><\/li>\n<li><a title=\"Nayra Sanz \u2013 Interviews\" href=\"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/nayra-sanz-interviews\/\"><strong>Interviews<\/strong><\/a><\/li>\n<li><strong><a title=\"Nayra Sanz \u2013 Bibliography\" href=\"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/nayra-sanz-bibliography\/\">Bibliography<\/a><\/strong><\/li>\n<\/ul>\n<p style=\"text-align: right;\"><a href=\"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/\">\u2b05\ufe0e Back to Home<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Licenciada en Filolog\u00eda Hisp\u00e1nica, Nayra Sanz se\u00a0especializ\u00f3 en literatura contempor\u00e1nea en la Universidad Aut\u00f3noma de Madrid. Recibi\u00f3 una beca de la DAAD para realizar parte de su doctorado en\u00a0Filosof\u00eda en la Universidad Humboldt de Berl\u00edn, donde hizo un estudio\u00a0sobre la cineasta Leni Riefenstahl. Con este trabajo le otorgaron otra beca\u00a0para estudiar un Master en Direcci\u00f3n [&hellip;]<\/p>","protected":false},"author":1,"featured_media":517,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-container-style":"default","site-container-layout":"default","site-sidebar-layout":"default","disable-article-header":"default","disable-site-header":"default","disable-site-footer":"default","disable-content-area-spacing":"default"},"categories":[2],"tags":[17],"acf":[],"_links":{"self":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/posts\/466"}],"collection":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/comments?post=466"}],"version-history":[{"count":3,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/posts\/466\/revisions"}],"predecessor-version":[{"id":8826,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/posts\/466\/revisions\/8826"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/media\/517"}],"wp:attachment":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/media?parent=466"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/categories?post=466"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/tags?post=466"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}