{"id":559,"date":"2015-01-19T20:56:19","date_gmt":"2015-01-20T02:56:19","guid":{"rendered":"https:\/\/21stcenturyartivism.sites.carleton.edu\/?p=559"},"modified":"2023-03-15T18:07:19","modified_gmt":"2023-03-15T18:07:19","slug":"victor-enrice","status":"publish","type":"post","link":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/audiovisual-creation\/victor-enrice\/","title":{"rendered":"V\u00edctor Erice"},"content":{"rendered":"<p class=\"biog\"><strong>V\u00edctor Erice es<\/strong> director de cine espa\u00f1ol. Licenciado en Ciencias Pol\u00edticas por la Universidad de Madrid, ingres\u00f3 en el Instituto de Investigaciones y Experiencias Cinematogr\u00e1ficas, donde en 1963 se diplom\u00f3 en direcci\u00f3n con un cortometraje.\u00a0Su pel\u00edcula\u00a0<i>El esp\u00edritu de la colmena\u00a0<\/i>(1973), alcanz\u00f3 una gran repercusi\u00f3n, convirti\u00e9ndolo en uno de los directores m\u00e1s sugerentes de la nueva cinematograf\u00eda espa\u00f1ola y en uno de los m\u00e1s importantes de toda su historia. Otra,\u00a0<i>El sur<\/i>\u00a0(1983), basada en un relato de Adelaida Garc\u00eda Morales, super\u00f3 todas las expectativas y se erigi\u00f3 en una nueva obra maestra.\u00a0Tras un\u00a0prolongado per\u00edodo de inactividad, en 1992 rod\u00f3\u00a0<i>El sol del membrillo<\/i>, un largometraje experimental sobre el pintor Antonio L\u00f3pez, que fue premiado en el Festival de Cannes.<\/p>\n<p class=\"biog\">Autor de una filmograf\u00eda cuya brevedad hay que atribuir a su manifiesta intenci\u00f3n de no claudicar ante un sistema que limita la libertad de creaci\u00f3n, la calidad de sus obras lo ha encumbrado a un nivel entre los cineastas espa\u00f1oles antes s\u00f3lo alcanzado por Luis Bu\u00f1uel y, en menor medida, por Luis G. Berlanga y Carlos Saura.\u00a0En 1996 fue distinguido con la Medalla de Oro de las Bellas Artes.\u00a0En 2002 public\u00f3 el pol\u00e9mico gui\u00f3n y present\u00f3\u00a0<i>Alumbramiento<\/i>, un corto de 10 minutos incluido en el filme conjunto\u00a0<i>Ten Minutes Older<\/i>.<\/p>\n<hr \/>\n<p class=\"biog\"><strong>V\u00edctor Erice is<\/strong> a Spanish film director. After getting a degree in Political Science from the University of Madrid, he\u00a0began\u00a0studies at the\u00a0Instituto de Investigaciones y Experiencias Cinematogr\u00e1ficas, graduating\u00a0in 1963 with\u00a0a diploma in short-film direction.\u00a0His film <em>The Spirit of the Beehive<\/em> (1973) earned\u00a0Erice the title of\u00a0one of the most intriguing directors in new Spanish cinematography and one of the most important of all time. Another film, <em>El sur<\/em> (1983), based on a short\u00a0story by\u00a0Adelaida Garc\u00eda Morales, surpassed all expectations and became a cinematic masterpiece. After a period of prolonged inactivity,\u00a0he directed <em>El sol del membrillo<\/em> in 1992, an experimental feature film about painter Antonio L\u00f3pez. The film won awards at the Festival de Cannes.<\/p>\n<p class=\"biog\">With a film career\u00a0whose brevity can only be attributed to Erice&#8217;s resolve\u00a0not to fold under\u00a0a system that limited freedom of creation, the quality of his works exalted\u00a0him to a\u00a0level\u00a0of\u00a0Spanish cinema\u00a0reached only before by Luis Bu\u00f1uel, and to a lesser extent Luis G. Berlanga and Carlos Saura. In 1996, he was awarded\u00a0The Gold Medal of Merit in the Fine Arts by the Spanish Ministry of Culture. In 2002, he published and presented the controversial\u00a0script\u00a0<em>Alumbramiento<\/em>, a 10 minute short included in the compilation film <em>Ten Minutes Older<\/em>.<\/p>\n<p class=\"biog\" style=\"text-align: right;\">Source:\u00a0<a href=\"http:\/\/www.biografiasyvidas.com\/biografia\/e\/erice.htm\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.biografiasyvidas.com\/biografia\/e\/erice.htm<\/a><\/p>\n<h2 style=\"text-align: left;\">Other Resources<\/h2>\n<ul>\n<li><strong><a href=\"http:\/\/www.imdb.com\/name\/nm0258977\/\" target=\"_blank\" rel=\"noopener noreferrer\">IMDB<\/a><\/strong><\/li>\n<li><a title=\"Victor Erice \u2013 Original Works\" href=\"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/victor-erice-original-works\/\"><strong>Original Works<\/strong><\/a><\/li>\n<li><strong><a title=\"Victor Erice \u2013 Interviews\" href=\"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/victor-erice-interviews\/\">Interviews<\/a><\/strong><\/li>\n<li><strong><a title=\"Victor Erice \u2013 Bibliography\" href=\"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/victor-erice-bibliography\/\">Bibliography<\/a><\/strong><\/li>\n<\/ul>\n<p style=\"text-align: right;\"><a href=\"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/\">\u2b05\ufe0e Back to Home<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>V\u00edctor Erice es director de cine espa\u00f1ol. Licenciado en Ciencias Pol\u00edticas por la Universidad de Madrid, ingres\u00f3 en el Instituto de Investigaciones y Experiencias Cinematogr\u00e1ficas, donde en 1963 se diplom\u00f3 en direcci\u00f3n con un cortometraje.\u00a0Su pel\u00edcula\u00a0El esp\u00edritu de la colmena\u00a0(1973), alcanz\u00f3 una gran repercusi\u00f3n, convirti\u00e9ndolo en uno de los directores m\u00e1s sugerentes de la nueva [&hellip;]<\/p>","protected":false},"author":1,"featured_media":3033,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-container-style":"default","site-container-layout":"default","site-sidebar-layout":"default","disable-article-header":"default","disable-site-header":"default","disable-site-footer":"default","disable-content-area-spacing":"default"},"categories":[2],"tags":[17],"acf":[],"_links":{"self":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/posts\/559"}],"collection":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/comments?post=559"}],"version-history":[{"count":2,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/posts\/559\/revisions"}],"predecessor-version":[{"id":9208,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/posts\/559\/revisions\/9208"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/media\/3033"}],"wp:attachment":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/media?parent=559"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/categories?post=559"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/tags?post=559"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}