{"id":563,"date":"2015-01-19T20:58:21","date_gmt":"2015-01-20T02:58:21","guid":{"rendered":"https:\/\/21stcenturyartivism.sites.carleton.edu\/?p=563"},"modified":"2023-03-15T18:07:19","modified_gmt":"2023-03-15T18:07:19","slug":"jonas-trueba","status":"publish","type":"post","link":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/audiovisual-creation\/jonas-trueba\/","title":{"rendered":"Jon\u00e1s Trueba"},"content":{"rendered":"<div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><strong>Jon\u00e1s Trueba <\/strong>naci\u00f3\u00a0\u2029en \u2029Madrid\u2029 en\u2029 1981.\u2029 Es\u2029 co-guionista\u2029 de \u2029las \u2029pel\u00edculas\u2029 \u00abM\u00e1s \u2029pena \u2029que Gloria\u2029\u00bb (2000)\u2029 y\u2029 \u00abVete\u2029 de\u2029 m\u00ed\u2029\u00bb (2005),\u2029 ambas\u2029 dirigidas\u2029 por\u2029 V\u00edctor\u2029 Garc\u00eda\u2029 Le\u00f3n,\u2029 y\u2029 de\u2029 \u00abEl\u2029 baile\u2029 de\u2029 la\u2029 Victoria\u00bb\u2029 (2009) \u2029de\u2029 Fernando\u2029 Trueba.\u2029\u2029 \u00abTodas\u2029 las\u2029 canciones\u2029 hablan\u2029 de\u2029 m\u00ed\u00bb\u2029 (2010)\u2029 es\u2029 su\u2029 primer\u2029 largometraje\u2029 como\u2029 director.\u2029 Tambi\u00e9n\u2029 es\u2029 autor\u2029 de\u2029 \u00abMiniaturas\u00bb\u2029 (2011),\u2029 y\u2029 algunos\u2029 videoclips\u2029 como\u2029 \u00abLa\u2029 gran\u2029 broma\u2029 final\u00bb,\u2029 de\u2029 Nacho\u2029 Vegas,\u2029 o\u2029 \u00abBalada\u2029 Balad\u00ed\u00bb,\u2029 de\u2029 El\u2029 Hijo.\u2029 Ha\u2029 dirigido\u2029 una\u2029 obra\u2029 de\u2029 teatro,\u2029 \u00abPienso\u2029 a \u2029menudo\u2029 en\u2029 ti\u00bb \u2029(2007)\u2029 y \u2029ha \u2029trabajado \u2029espor\u00e1dicamente\u2029 como \u2029editor \u2029de\u2029 libros\u2029 de\u2029 cine\u2029 para\u2029 la\u2029 editorial\u2029 Plot.\u2029 Colabora\u2029 en\u2029 diversos\u2029 medios\u2029 de\u2029 comunicaci\u00f3n\u2029 y\u2029 escribe\u2029 un\u2029 blog\u2029 para\u2029 el\u2029 diario\u2029 El\u2029 Mundo\u2029 que\u2029 se\u2029 llama\u2029 \u00ab<a href=\"http:\/\/www.elmundo.es\/blogs\/elmundo\/elvientosopladondequiere\/\" target=\"_blank\" rel=\"noopener noreferrer\">El\u2029 viento\u2029 sopla\u2029 donde\u2029 quiere<\/a>\u00ab.\u2029 Compagina \u2029el \u2029cine \u2029con \u2029la \u2029docencia \u2029en \u2029el \u2029M\u00e1ster \u2029de \u2029Cinematograf\u00eda \u2029de \u2029la \u2029Escuela\u2029 Universitaria\u2029 de\u2029 Artes\u2029 y\u2029 Espect\u00e1culos\u2029 (TAI).<\/p>\n<hr \/>\n<p><strong>Jon\u00e1s Trueba<\/strong> was born in Madrid in 1981. He is the co-writer of the films\u00a0<em>M\u00e1s \u2029pena \u2029que Gloria<\/em> (2000) and\u00a0<em>Vete\u2029 de\u2029 m\u00ed\u2029<\/em> (2005), both directed by\u00a0V\u00edctor\u2029 Garc\u00eda\u2029 Le\u00f3n, and of\u2029 <em>El\u2029 baile\u2029 de\u2029 la\u2029 Victoria<\/em>\u2029 (2009) \u2029by\u2029 Fernando\u2029 Trueba.\u2029\u2029 <em>Todas\u2029 las\u2029 canciones\u2029 hablan\u2029 de\u2029 m\u00ed\u2029<\/em> (2010)\u2029 was his\u00a0first feature film. He is also the author of <em>Miniatures<\/em> (2011), and of videoclips, such as Nacho Vegas&#8217;\u00a0<em>La\u2029 gran\u2029 broma\u2029 final\u00a0<\/em>or El Hijo&#8217;s\u00a0<em>Balada\u2029 Balad\u00ed<\/em>. He directed the play <em>Pienso a menudo en ti<\/em> (2007) and has worked\u00a0sporadically as an editor of film books for the publishing house \u00abPlot\u00bb. He has collaborated in different mediums, and writes a blog for Spanish newspaper <em>El Mundo<\/em> called \u00ab<a href=\"http:\/\/www.elmundo.es\/blogs\/elmundo\/elvientosopladondequiere\/\" target=\"_blank\" rel=\"noopener noreferrer\">El viento sopla donde quiere<\/a>\u00bb (The wind blows where it wants). He balances film with teaching in the master&#8217;s degree program for Cinematography at the Escuela Universitaria de Artes y Espect\u00e1culos (TAI) in Madrid.<\/p>\n<p style=\"text-align: right;\">Source:\u00a0<a href=\"http:\/\/www.directoresdecine.net\/upload\/cv-10012013173036.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.directoresdecine.net\/upload\/cv-10012013173036.pdf<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<h2 style=\"text-align: left;\">Other Resources<\/h2>\n<ul>\n<li><strong><strong><a href=\"http:\/\/www.imdb.com\/name\/nm0343903\/\" target=\"_blank\" rel=\"noopener noreferrer\">IMDB<\/a><\/strong><\/strong><\/li>\n<li><a title=\"Jon\u00e1s Trueba \u2013 Original Works\" href=\"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/jonas-trueba-original-works\/\"><strong>Original Works<\/strong><\/a><\/li>\n<li><a title=\"Jon\u00e1s Trueba \u2013 Interviews\" href=\"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/jonas-trueba-interviews\/\"><strong>Interviews<\/strong><\/a><\/li>\n<li><a href=\"https:\/\/vimeo.com\/losilusosfilms\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Vimeo<\/strong><\/a><\/li>\n<li><strong><a title=\"Jon\u00e1s Trueba \u2013 Bibliography\" href=\"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/jonas-trueba-bibliography\/\">Bibliography<\/a><\/strong><\/li>\n<\/ul>\n<p style=\"text-align: right;\"><a href=\"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/\">\u2b05\ufe0e Back to Home<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Jon\u00e1s Trueba naci\u00f3\u00a0\u2029en \u2029Madrid\u2029 en\u2029 1981.\u2029 Es\u2029 co-guionista\u2029 de \u2029las \u2029pel\u00edculas\u2029 \u00abM\u00e1s \u2029pena \u2029que Gloria\u2029\u00bb (2000)\u2029 y\u2029 \u00abVete\u2029 de\u2029 m\u00ed\u2029\u00bb (2005),\u2029 ambas\u2029 dirigidas\u2029 por\u2029 V\u00edctor\u2029 Garc\u00eda\u2029 Le\u00f3n,\u2029 y\u2029 de\u2029 \u00abEl\u2029 baile\u2029 de\u2029 la\u2029 Victoria\u00bb\u2029 (2009) \u2029de\u2029 Fernando\u2029 Trueba.\u2029\u2029 \u00abTodas\u2029 las\u2029 canciones\u2029 hablan\u2029 de\u2029 m\u00ed\u00bb\u2029 (2010)\u2029 es\u2029 su\u2029 primer\u2029 largometraje\u2029 como\u2029 director.\u2029 Tambi\u00e9n\u2029 es\u2029 autor\u2029 de\u2029 [&hellip;]<\/p>","protected":false},"author":1,"featured_media":671,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-container-style":"default","site-container-layout":"default","site-sidebar-layout":"default","disable-article-header":"default","disable-site-header":"default","disable-site-footer":"default","disable-content-area-spacing":"default"},"categories":[2],"tags":[17],"acf":[],"_links":{"self":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/posts\/563"}],"collection":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/comments?post=563"}],"version-history":[{"count":2,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/posts\/563\/revisions"}],"predecessor-version":[{"id":8973,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/posts\/563\/revisions\/8973"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/media\/671"}],"wp:attachment":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/media?parent=563"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/categories?post=563"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/tags?post=563"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}