{"id":6197,"date":"2016-04-09T17:19:52","date_gmt":"2016-04-09T22:19:52","guid":{"rendered":"https:\/\/21stcenturyartivism.sites.carleton.edu\/?p=6197"},"modified":"2023-03-15T18:07:17","modified_gmt":"2023-03-15T18:07:17","slug":"oscar-aibar","status":"publish","type":"post","link":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/audiovisual-creation\/oscar-aibar\/","title":{"rendered":"\u00d3scar Aibar"},"content":{"rendered":"

\u00d3scar Aibar<\/strong> (Barcelona en 1967) es uno de los m\u00e1s originales e interesantes cineastas de su generaci\u00f3n. Ha dirigido los largometrajes El bosque<\/em> (2012), El Gran V\u00e1zquez<\/em> (2010), Rumores<\/em> (2008), La m\u00e1quina de bailar<\/em> (2006), Platillos Volantes<\/em> (2004) y Atolladero<\/i> (1995). Ha escrito las novelas Making Of<\/em> (2008) y Los comedores de tiza<\/em> (2005) y el libro de relatos Tu mente extiende cheques que tu cuerpo no puede pagar<\/i> (2002). Tambi\u00e9n ha publicado m\u00e1s de 500 p\u00e1ginas como guionista de c\u00f3mics en diferentes revistas y \u00e1lbumes, ha realizado numerosos videoclips para diversos artistas como Loquillo y ha dirigido series de televisi\u00f3n como Cu\u00e9ntame lo que pas\u00f3<\/em>.<\/p>\n

\n

\u00a0\u00d3<\/strong>scar Aibar<\/strong> (born October, 1967 in Barcelona) is one of the most original and interesting film-makers of his generation. He has shot the films El bosque<\/em> (The Wood<\/em>, 2012), El Gran V\u00e1zquez<\/em> (The Great V\u00e1zquez<\/em>, 2010), Rumores<\/em> (Rumors<\/em>, 2008), La m\u00e1quina de bailar<\/em> (The Dance Machine<\/em>, 2006), Platillos Volantes<\/em> (Flying Saucers<\/em>, 2004) and Atolladero<\/em> (Predicament,\u00a0<\/em>1995), winning several awards in different film festivals around the world. As a writer he has published the novels, Making Of<\/em> (2008) and Los comedores de tiza<\/em> (Chalk Eaters, 2005) and a\u00a0book of short stories, Tu mente extiende cheques que tu cuerpo no puede pagar<\/em> (Your Mind is Writing Checks Your Body Can’t Cash, 2002) and more than 500 pages as a graphic novel writer in different magazines and albums. In addition he has directed pop videos for famous Spanish bands like Loquillo and TV series such as Cu\u00e9ntame lo que pas\u00f3<\/em> (Tell Me How It Happened<\/em>).<\/p>\n

Source: http:\/\/www.oscaraibar.com\/Bio-y-contacto\u00a0<\/a><\/p>\n

Other Resources<\/h2>\n

Official Website
\n<\/a><\/strong>IMDB
\n<\/a>Original Works<\/a>
\n<\/strong>Interviews<\/a>
\nVimeo
\n<\/a>Facebook
\n<\/a>LinkedIn
\n<\/a>Instagram
\n<\/a>Bibliography<\/a><\/strong><\/p>\n

 <\/p>\n

\u2b05\ufe0e Back to Home<\/a><\/p>","protected":false},"excerpt":{"rendered":"

\u00d3scar Aibar (Barcelona en 1967) es uno de los m\u00e1s originales e interesantes cineastas de su generaci\u00f3n. Ha dirigido los largometrajes El bosque (2012), El Gran V\u00e1zquez (2010), Rumores (2008), La m\u00e1quina de bailar (2006), Platillos Volantes (2004) y Atolladero (1995). Ha escrito las novelas Making Of (2008) y Los comedores de tiza (2005) y […]<\/p>","protected":false},"author":1,"featured_media":6202,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-container-style":"default","site-container-layout":"default","site-sidebar-layout":"default","disable-article-header":"default","disable-site-header":"default","disable-site-footer":"default","disable-content-area-spacing":"default"},"categories":[2],"tags":[17],"acf":[],"_links":{"self":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/posts\/6197"}],"collection":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/comments?post=6197"}],"version-history":[{"count":2,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/posts\/6197\/revisions"}],"predecessor-version":[{"id":9077,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/posts\/6197\/revisions\/9077"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/media\/6202"}],"wp:attachment":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/media?parent=6197"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/categories?post=6197"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/tags?post=6197"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}