{"id":6211,"date":"2016-04-10T09:36:41","date_gmt":"2016-04-10T14:36:41","guid":{"rendered":"https:\/\/21stcenturyartivism.sites.carleton.edu\/?p=6211"},"modified":"2023-03-15T18:07:17","modified_gmt":"2023-03-15T18:07:17","slug":"fran-hervada-martin","status":"publish","type":"post","link":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/audiovisual-creation\/fran-hervada-martin\/","title":{"rendered":"Fran Hervada Mart\u00edn"},"content":{"rendered":"<p style=\"text-align: left;\"><strong>Fran Hervada Mart\u00edn <\/strong>estudi\u00f3 Comunicaci\u00f3n, Imagen y Sonido en la Universidad Complutense de Madrid. En el a\u00f1o 1998 estren\u00f3 &#8216;La lluvia y los hongos&#8217;. Dos a\u00f1os despu\u00e9s present\u00f3 &#8216;La herida&#8217; (2000), &#8216;En ausencia\u00b4 (2004) el protagonista era un hombre que hab\u00eda muerto por un accidente de tr\u00e1fico, mientras que en `Hipnosis\u00b4 (2006) Francisco se sirvi\u00f3 del mito de la chica de la curva para hacer una adaptaci\u00f3n de esta historia.\u00a0En el a\u00f1o 2007 este cineasta dirigi\u00f3 un nuevo cortometraje llamado `Rothko\u00b4 en el que reflej\u00f3 el proceso creativo de este pintor. \u00a0Un a\u00f1o m\u00e1s tarde estrenar\u00eda `La gota que colma el vaso\u00b4, un cortometraje sobre la ruptura de una pareja que antecedi\u00f3 a `Nada de nadie\u00b4, su primer largometraje.\u00a0Este cineasta, que adem\u00e1s es profesor de fotograf\u00eda en el I.E.S. Vega del Prado.<\/p>\n<hr \/>\n<p style=\"text-align: left;\"><strong>Fran Hervada Mart\u00edn\u00a0<\/strong>studied communication, Image and Sound at the Complutense University in Madrid. In 1998, Mart\u00edn made his debut, \u00abThe Rain and the Mushrooms.\u00bb Two years later he introduced \u00abThe Wound,\u00bb In \u00abAbsence\u00bb (2004), the protagonist is a man who has died in a traffic accident, while\u00a0in \u00abHypnosis\u00bb (2006) Francisco used the myth of the girl of the curve to make an adaption of this story. In 2007, this filmmaker made a new short film called \u00abRothko\u00bb which reflected the creative process of this artist. One year later, \u00abThe Straw that Breaks the Camel\u00bb premiered, a short film about the break up of a couple, it predated \u00abNothing for Nobody,\u00bb \u00a0his first feature film. This filmmaker is also a professor of photography at the I.E.S. Vega del Prado.<\/p>\n<p style=\"text-align: right;\">Source:<a href=\"https:\/\/tamtampress.es\/2015\/01\/17\/la-pequena-pelicula-secreta-de-francisco-hervada\/\" target=\"_blank\" rel=\"noopener noreferrer\">\u00a0https:\/\/tamtampress.es\/2015\/01\/17\/la-pequena-pelicula-secreta-de-francisco-hervada\/\u00a0<\/a><\/p>\n<h2 style=\"text-align: left;\">Other Resources<\/h2>\n<ul>\n<li><strong><a href=\"http:\/\/www.imdb.com\/name\/nm5285722\/\" target=\"_blank\" rel=\"noopener noreferrer\">IMDB<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/fran-hervada-martin-original-works\/\">Original Works<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/fran-hervada-martin-interviews\/\">Interviews<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/vimeo.com\/franhervada\" target=\"_blank\" rel=\"noopener noreferrer\">Vimeo<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/www.youtube.com\/user\/franhervada\/featured\" target=\"_blank\" rel=\"noopener noreferrer\">YouTube<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/www.facebook.com\/francisco.hervada\" target=\"_blank\" rel=\"noopener noreferrer\">Facebook<\/a><\/strong><\/li>\n<li><strong><a href=\"http:\/\/francisco-hervada.tumblr.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Tumblr<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/twitter.com\/franhervada\" target=\"_blank\" rel=\"noopener noreferrer\">Twitter<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/es.linkedin.com\/in\/francisco-hervada-42432ba6\" target=\"_blank\" rel=\"noopener noreferrer\">LinkedIn<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/fran-hervada-marin-bibliography\/\">Bibliography<\/a><\/strong><\/li>\n<\/ul>\n<p style=\"text-align: right;\"><a href=\"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/\">\u2b05\ufe0e Back to Home<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Fran Hervada Mart\u00edn estudi\u00f3 Comunicaci\u00f3n, Imagen y Sonido en la Universidad Complutense de Madrid. En el a\u00f1o 1998 estren\u00f3 &#8216;La lluvia y los hongos&#8217;. Dos a\u00f1os despu\u00e9s present\u00f3 &#8216;La herida&#8217; (2000), &#8216;En ausencia\u00b4 (2004) el protagonista era un hombre que hab\u00eda muerto por un accidente de tr\u00e1fico, mientras que en `Hipnosis\u00b4 (2006) Francisco se sirvi\u00f3 [&hellip;]<\/p>","protected":false},"author":1,"featured_media":6285,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-container-style":"default","site-container-layout":"default","site-sidebar-layout":"default","disable-article-header":"default","disable-site-header":"default","disable-site-footer":"default","disable-content-area-spacing":"default"},"categories":[2],"tags":[17],"acf":[],"_links":{"self":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/posts\/6211"}],"collection":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/comments?post=6211"}],"version-history":[{"count":2,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/posts\/6211\/revisions"}],"predecessor-version":[{"id":8880,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/posts\/6211\/revisions\/8880"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/media\/6285"}],"wp:attachment":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/media?parent=6211"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/categories?post=6211"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/tags?post=6211"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}