{"id":8465,"date":"2014-07-14T17:24:39","date_gmt":"2014-07-14T22:24:39","guid":{"rendered":"https:\/\/21stcenturyartivism.sites.carleton.edu\/?p=3"},"modified":"2023-03-15T18:07:20","modified_gmt":"2023-03-15T18:07:20","slug":"silvia-nanclares","status":"publish","type":"post","link":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/fictional-works\/silvia-nanclares\/","title":{"rendered":"Silvia Nanclares"},"content":{"rendered":"<p><strong>Silvia Nanclares<\/strong> tiene diversos intereses profesionales que abarcan desde\u00a0la producci\u00f3n y distribuci\u00f3n de obras creativas hasta la investigaci\u00f3n y activismo cultural. Se licenci\u00f3 en ciencias teatrales en la Real Escuela de Arte Dram\u00e1tico en Madrid, y despu\u00e9s se traslad\u00f3 a Argentina, donde comenz\u00f3 una carrera de dramaturga. Al volver a Espa\u00f1a, esta vez a Sevilla, Nanclares se hizo guionista, empez\u00f3 a dirigir cortometrajes de ficci\u00f3n y colabor\u00f3 con la AAIICC\u00a0(Agencia Andaluza de Instituciones Culturales).\u00a0En 2011, se traslad\u00f3 a Francia y, inspirada por la\u00a0efervescencia pol\u00edtica del movimiento 15M, encabez\u00f3 <a title=\"#BOOKCAMPING\" href=\"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/colectivos\/bookcamping\/\">#bookcamping<\/a>, una herramienta digital y colectivo de investigaci\u00f3n. #Bookcamping\u00a0pretende recopilar toda la literatura motivada por el 15M y, m\u00e1s a\u00fan, demostrar la importancia del compromiso social y del movimiento Cultura Libre.<\/p>\n<p>Ahora vive en Madrid donde colabora con fanzines, blogs y otros medios de comunicaci\u00f3n, a la vez desarrollando e impulsando varios proyectos\u00a0propios individuales. Trabaja e investiga en la \u00f3rbita de la literatura, el mundo editorial y la Cultura Libre, y\u00a0ve sus obras como un catalizador para el\u00a0di\u00e1logo. Sus proyectos pretenden inspirar conversaciones sobre la fricci\u00f3n entre la cultura, sus instituciones y el p\u00fablico. Uno de sus proyectos,\u00a0<em>El Sur: Instrucciones de uso,<\/em>\u00a0es una collection de relatos\u00a0autoeditada y distribuida bajo la licencia Creative Commons CC-BY-SA. Esta licencia, una de las m\u00e1s libres y abiertas, ha permitido a sus lectores de interactuar con la obra de formas interesantes. El Sur ha inspirado varias obras derivadas, y de hecho ha sido escrita en parte por sus lectores.\u00a0Nanclares contribuye a menudo con\u00a0medios como\u00a0<em>Peri<\/em><em>\u00f3dico Diagonal,\u00a0<\/em><a href=\"http:\/\/eldiario.es\" target=\"_blank\" rel=\"noopener noreferrer\">eldiario.es<\/a><i>\u00a0<\/i>y\u00a0varios\u00a0publicaciones\u00a0alternativas. Mantiene su\u00a0blog <a href=\"http:\/\/entornodeposibilidades.blogspot.com.es\" target=\"_blank\" rel=\"noopener noreferrer\">Entorno de Posibilidades<\/a>.<\/p>\n<hr \/>\n<p><strong style=\"line-height: 1.5em;\">Silvia Nanclares&#8217; <\/strong> professional interests range from the production and publication\u00a0of creative works\u00a0to cultural activism and research. After\u00a0graduating with a degree in Theater Sciences from\u00a0the Real Escuela de Arte Dram\u00e1tico in Madrid, she moved briefly to Argentina where she\u00a0began her career as a playwright. Upon returning to Spain, this time to Sevilla, Nanclares branched into screenwriting and short narrative, and got\u00a0involved with\u00a0the AAIICC (Agencia Andaluza de Instituciones Culturales). In 2011, Nanclares moved to France where, inspired by the political commotion\u00a0of the 15-M movement, she spearheaded <a title=\"#BOOKCAMPING\" href=\"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/colectivos\/bookcamping\/\">#bookcamping<\/a>, a research collective and\u00a0digital tool. #Bookcamping&#8217;s goal is\u00a0to compile all\u00a0literature motivated by the 15M movement, and\u00a0even more\u00a0to prove\u00a0the importance of civic engagement and the Free Culture Movement.<\/p>\n<p>Now living\u00a0in Madrid,\u00a0Silvia Nanclares collaborates with fanzines, blogs and other media outlets, all the while developing and seeing through her own individual projects.\u00a0Wit her\u00a0work\u00a0and research in the\u00a0realms of literature,\u00a0editorials,\u00a0and\u00a0with the Free Culture Movement, Nanclares views her own work as a catalyst for dialogue. Her projects aim to inspire conversations about the\u00a0tension\u00a0between culture, institutions, and the general public. One of her projects,\u00a0<em>El Sur: Instrucciones de uso,<\/em>\u00a0is a self-published collection of short-stories licensed under Creative Commons as CC-BY-SA. This license, one of the loosest available copyright agreements, has allowed readers to really interact with the text.\u00a0<em>El Sur<\/em>\u00a0has inspired numerous derivative works, and in fact\u00a0was actually\u00a0partially\u00a0written by its readers. Nanclares contributes regularly to media\u00a0sources such as\u00a0<em>Peri<\/em><em>\u00f3dico Diagonal,\u00a0<\/em><a href=\"http:\/\/eldiario.es\" target=\"_blank\" rel=\"noopener noreferrer\">eldiario.es<\/a><em>,\u00a0<\/em>and various underground publications. She has\u00a0a blog called\u00a0<a href=\"http:\/\/entornodeposibilidades.blogspot.com.es\" target=\"_blank\" rel=\"noopener noreferrer\">Entorno de Posibilidades<\/a>.<\/p>\n<p style=\"text-align: right;\">Source: Silvia Nanclares<\/p>\n<h2>Other Resources<\/h2>\n<ul>\n<li><a href=\"http:\/\/www.imdb.com\/name\/nm4806529\/\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>IMDB<\/strong><\/a><\/li>\n<li><strong><a title=\"Nanclares- Original Works\" href=\"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/nanclares-original-works\/\">Original Works<\/a><\/strong><\/li>\n<li><strong><strong><a title=\"Silvia Nancalres \u2013 Interviews\" href=\"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/silvia-nancalres-interviews\/\">Interviews<\/a><\/strong><\/strong><\/li>\n<li><strong><a title=\"Silvia Nanclares \u2013 Workshop @ Carleton\" href=\"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/silvia-nanclares-workshop-carleton\/\">Workshop @ Carleton<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/twitter.com\/silvink\" target=\"_blank\" rel=\"noopener noreferrer\">Twitter<\/a><\/strong><\/li>\n<li><strong><a title=\"Nanclares \u2013 Bibliography\" href=\"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/nanclares-bibliography\/\">Bibliography<\/a><\/strong><\/li>\n<\/ul>\n<p style=\"text-align: right;\"><a href=\"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/\">\u2b05\ufe0e Back to Home<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Silvia Nanclares tiene diversos intereses profesionales que abarcan desde\u00a0la producci\u00f3n y distribuci\u00f3n de obras creativas hasta la investigaci\u00f3n y activismo cultural. Se licenci\u00f3 en ciencias teatrales en la Real Escuela de Arte Dram\u00e1tico en Madrid, y despu\u00e9s se traslad\u00f3 a Argentina, donde comenz\u00f3 una carrera de dramaturga. Al volver a Espa\u00f1a, esta vez a Sevilla, [&hellip;]<\/p>","protected":false},"author":1,"featured_media":125,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-container-style":"default","site-container-layout":"default","site-sidebar-layout":"default","disable-article-header":"default","disable-site-header":"default","disable-site-footer":"default","disable-content-area-spacing":"default"},"categories":[6],"tags":[34],"acf":[],"_links":{"self":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/posts\/8465"}],"collection":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/comments?post=8465"}],"version-history":[{"count":3,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/posts\/8465\/revisions"}],"predecessor-version":[{"id":9319,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/posts\/8465\/revisions\/9319"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/media\/125"}],"wp:attachment":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/media?parent=8465"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/categories?post=8465"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/tags?post=8465"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}