{"id":862,"date":"2015-04-27T09:43:43","date_gmt":"2015-04-27T14:43:43","guid":{"rendered":"https:\/\/21stcenturyartivism.sites.carleton.edu\/?p=862"},"modified":"2023-03-15T18:07:19","modified_gmt":"2023-03-15T18:07:19","slug":"fundacion-robo","status":"publish","type":"post","link":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/colectivos\/fundacion-robo\/","title":{"rendered":"Fundaci\u00f3n Robo"},"content":{"rendered":"<p><strong>Fundaci\u00f3n Robo es&#8230;<\/strong>\u00a0Espoleados por la reciente agitaci\u00f3n pol\u00edtica, la plataforma Robo intenta crear un espacio para escribir otro tipo de letras, esas que consisten en abrir la ventana y echar un vistazo a lo que ocurre fuera. Los primeros pasitos los han dado Roberto Herreros (Grande-Marlaska, Ladinamo), Karlos Osinaga (Lisab\u00f6, Bidehuts) y Joseba Irazoki (Atom Rhumba). Nunca pretendieron que Robo fuera un grupo m\u00e1s, sino una aventura colectiva similar a <a href=\"http:\/\/www.wumingfoundation.com\" target=\"_blank\" rel=\"noopener noreferrer\">Wu Ming<\/a>, donde implicar a m\u00fasicos con inquietudes parecidas. Hoy podemos anunciar que algunos se van animando.<\/p>\n<hr \/>\n<p><strong>Fundaci\u00f3n Robo es&#8230;<\/strong> Spurred on by recent political unrest, the \u00abRobo\u00bb platform wanted to create a space devoted to composing a different kind of lyric that consists in simply opening the window and observing what goes on outside. The first steps were taken by Roberto Herreros (Grande-Marlaska, Ladinamo), Karlos Osinaga (Lisab\u00f6, Bidehuts) and\u00a0Joseba Irazoki (Atom Rhumba). Robo was never meant to be <em>just another group<\/em>, but rather a collective adventure, something along the lines of <a href=\"http:\/\/www.wumingfoundation.com\" target=\"_blank\" rel=\"noopener noreferrer\">Wu Ming<\/a>, where we could be joined by other musicians with similar concerns. As of today,\u00a0we are pleased to say that quite a few have.<\/p>\n<p style=\"text-align: right;\">Source:\u00a0<a href=\"http:\/\/www.fundacionrobo.org\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.fundacionrobo.org<\/a><\/p>\n<h2>\u00a0Other Resources<\/h2>\n<ul>\n<li><a href=\"http:\/\/www.fundacionrobo.org\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Official\u00a0Website<\/strong><\/a><\/li>\n<li><strong><a href=\"http:\/\/www.fundacionrobo.org\/asalto\" target=\"_blank\" rel=\"noopener noreferrer\">Asalto<\/a>: facci\u00f3n literaria de Robo\/ literary faction of Robo<\/strong><\/li>\n<li><a title=\"Fundaci\u00f3n Robo \u2013 Interviews\" href=\"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/fundacion-robo-interviews\/\"><strong>Interviews<\/strong><\/a><\/li>\n<li><strong><a href=\"http:\/\/esunrobo.bandcamp.com\" target=\"_blank\" rel=\"noopener noreferrer\">Music<\/a><\/strong><\/li>\n<li><strong><a href=\"http:\/\/www.last.fm\/music\/Robo\" target=\"_blank\" rel=\"noopener noreferrer\">More music<\/a><\/strong><\/li>\n<li><strong><strong><strong><a title=\"Fundaci\u00f3n Robo \u2013 film\" href=\"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/fundacion-robo-film\/\">Film<\/a><\/strong><\/strong><\/strong><\/li>\n<li><strong><a href=\"http:\/\/www.goteo.org\/project\/disco-fundacion-robo\" target=\"_blank\" rel=\"noopener noreferrer\">Goteo<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/www.facebook.com\/FundacionRobo\" target=\"_blank\" rel=\"noopener noreferrer\">Facebook<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/twitter.com\/FundacionRobo\" target=\"_blank\" rel=\"noopener noreferrer\">Twitter<\/a><\/strong><\/li>\n<\/ul>\n<p style=\"text-align: right;\"><a href=\"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/\">\u2b05\ufe0e Back to Home<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Fundaci\u00f3n Robo es&#8230;\u00a0Espoleados por la reciente agitaci\u00f3n pol\u00edtica, la plataforma Robo intenta crear un espacio para escribir otro tipo de letras, esas que consisten en abrir la ventana y echar un vistazo a lo que ocurre fuera. Los primeros pasitos los han dado Roberto Herreros (Grande-Marlaska, Ladinamo), Karlos Osinaga (Lisab\u00f6, Bidehuts) y Joseba Irazoki (Atom [&hellip;]<\/p>","protected":false},"author":1,"featured_media":874,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-container-style":"default","site-container-layout":"default","site-sidebar-layout":"default","disable-article-header":"default","disable-site-header":"default","disable-site-footer":"default","disable-content-area-spacing":"default"},"categories":[4],"tags":[25],"acf":[],"_links":{"self":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/posts\/862"}],"collection":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/comments?post=862"}],"version-history":[{"count":1,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/posts\/862\/revisions"}],"predecessor-version":[{"id":8883,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/posts\/862\/revisions\/8883"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/media\/874"}],"wp:attachment":[{"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/media?parent=862"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/categories?post=862"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/21stcenturyartivism.sites.carleton.edu\/en\/wp-json\/wp\/v2\/tags?post=862"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}